A special showcase (punk) best trends of the International Independent Cinema
It opens today at the Auditorium "Giovanni Agnelli" in Turin the 34th TORINO FILM FESTIVAL with Film d’apertura BETWEEN US dell’americano Rafael Palacio 
Illingworth interpretato da Olivia Thirlby, Ben Feldman e un cameo di Peter Bogdanovich. The Manifesto of this edition is dedicated to David Bowie, one of the most eclectic personalities of contemporary culture: great musician and performer, film actor appeared in about 15 film. The image is taken from a scene Absolute Beginners with Julien Temple directed the 1986.
It will be the actress Jasmine Trinca to lead the opening night of the 34th edition of the Turin Film Festival as godmother the gala a relatively young but important festival in the Italian festival scene. “I'm delighted to return to Turin - says Jasmine Trinca - to accompany a free festival like few others, always able to anticipate an idea of unedited film with curiosity and looked even more that of a Young Cinema, a Cinema Child”. Jasmine Trinca begins just 19 years in the film The Son's Room by Nanni Moretti. Three Silver Ribbons, Two Golden Globes, the Marcello Mastroianni Award at the Venice International Venice Film Festival, are some of the prestigious awards that have been awarded in recent years. Next spring we will see in Slam - All for a girl, Andrea Molaioli, which will be presented for the very p
roprio during the 34th Torino Film Festival.
roprio during the 34th Torino Film Festival.But we talk about the issues of the edition Torino Film Festival 2016 that counts 158 feature films, 17 mediometraggi e 38 short films which 46 feature films first and second films, 43 world premieres, 25 International previews, 8 European premieres and 73 Italian previews. The festival will end on 26 November at the Cinema Reposi of Turin with the closing Movies FREE FIRE dell'anglosassone Ben Wheatley played by Brie Larson, Cillian Murphy, Arnie Hammer
The main competitive section of the festival TORINO 34, reserved to directors making their first, second or third film, It presents fifteen films made in 2016, unpublished in Italy. The countries represented are: Argentina, Austria, Belgium, Cambodia, Canada, Chile, China, France, Germany, Italy, Mexico, Serbia, UK, United States. As always focused on the cinema "young", The selection of films in competition is aimed at the research and discovery of innovative talents, that express the best trends of international independent cinema. Over the years the authors have been awarded to their beginnings as: Tsai Ming-liang, David Gordon Green, Chen Kaige, Lisandro Alonso, Pietro Marcello, Debra Granik, Alessandro Piva, Pablo Larraín, Damien Chazelle. A cinema "of the future", representative of genres, languages and trends. Here are the titles of 15 selected works:
BEFORE THE STREETS Chloé Leriche del canadese, first work.
CHRISTINE dell’americano Antonio Campos, a flash of FIFTH POWER.
decent di Luke Valenta Rinner (Austria / South Korea / Argentina), It operates unsettling.
THE LAST PARISIENS Hame Bourokba and Ekoué Labitey (France), surprising
CHILDREN OF THE NIGHT Andrea De Sica, Debut as a black fairy tale.
JESUS Fernando Guzzoni (Chile / France), social and political analysis of the post-Pinochet Chile through the fathers / children relationship.
JUAN ZENG ZHE / THE DONOR di Qiwu Zang (China), Chinese drama that turns noir.
LADY MACBETH di William Oldroyd (UK), adapted from the work of Leskov Nicolaj of a Gothic dark lady.
THE BEAUTIES di Melisa Liebenthal (Argentina), or the art of appearing.
PAN AMERICAN MACHINERY di Joaquín del Paso (Mexico / Poland), presented at the Berlinale Talents a grotesque tale of the current global economic crisis.MECHANICS OF THE SHADOWS di Thomas Kruithof (Belgium), debut thriller from the 70s.
PORTO Gabe Klinger (USA / France / Portugal / Poland), Debut of Nouvelle Vague and narratives almost impressionist.
TURN LEFT TURN RIGHT in Doug Seok (Cambodia / USA / South Korea, twelve chapters symbol of the history of Cambodia.
WIND / WIND di Tamara Drakulic (Serbia), the passage from adolescence to adulthood.
WE ARE THE FLOOD / WE ARE THE TIDE di Sebastian Hilger (Germany), Debut metaphysical.
The other section of the festival is FESTA MOBILE that opens with Between Us, dramedy, Rafael Palacio Illingworth and closes with Free Fire, adrenaline clash with blows of a firearm and banter between twelve men and a woman, in a disused factory in Boston in the 70s, directed by Ben Wheatley. Moveable Feast presents especially the films collected during the year to bring the TFF the most anticipated works or that we liked the most from the unprecedented global production in Italy. Among the most anticipated we remember Sully, Hudson in the history dell'ammaraggio 2009 aircraft piloted by Chelsey “Sully” Sullenberg, diretto da Clint Eastwood e interpretato da Tom Hanks e Aaron Eckhart e Free State of Jones di Gary Ross, with Matthew McConaughey, the history of the Confederate army defector that in the end of the Civil War created an autonomous state antisegregazionista. Also in the show What we liked most in foreign festivals: Isabelle Huppert in irresistibile She di Paul Verhoeven The future e di Mia Hansen-Løve, in which he played with grit and humor on 
cases that can upset the life of a lady no longer young; the ferocious satire and compelling logic with which Danis Tanovic talks about Europe
cases that can upset the life of a lady no longer young; the ferocious satire and compelling logic with which Danis Tanovic talks about Europe
in Death in Sarajevo, dalla piece di Bernard-Henri Lévy, but also the sumptuous skill with which Lav Diaz tells the epic story of the revolutionary Philippine Andrés Bonifacio y de Castro in A Lullaby for a Sorrowful Mystery; the
glossy, frantic struggle for survival of the family of desperate But’ Brillante Mendoza Rosa. Then too few indie: the suffered Live Cargo Logan Sandler, with Dree Hemingway and unpublished Bahamas photographed in black and white; E last but not least, a group of Italian films: by Slam – All for a girl, in which Andrea Molaioli riambienta the novel by Nick Hornby in Rome, the mockumentary I'm Guido and not Guido, in which Alessandro Maria Buonomo invents a twin brother author of poems by Guido Catalano; by Maurizio Zaccaro trip through the world, to ask intellectuals, artists, philosophy, politicians what is now happiness (Human happiness) that of Elisabetta Sgarbi on the faces and bodies of the humble portraits by Romanino in his frescoes in three churches in Valcamonica (The language of the villains); from the look on the 60 Steve Della Casa, No one can judge that recalls the impact that had the Italian rock and musicals on the radical changes of the decade, to that of Daniele Segre, that woman's battle name reconstructs the Resistance through the testimony of the Piedmont partisan who participated in the struggle; dall'omaggio to Gipo Farassino, lo singer torinese paragonato has Brassens e Montand (Gipo, Gypsy of Alessandro Barrier Castelletto), the sensual eroticism trip made by a foreign writer in an Italian villa (Sadie di Craig Goodwill), both supported by the Film Commission Torino Piemonte.VINTAGE FESTIVAL is instead a small sub-section dedicated to birthdays, restorations, rediscovered the cinema of the past. compliments: a David Bowie, con Furyo di Nagisa Oshima, a Michael Cimino, with the restored version of The Deer Hunter, the brothers Fabio and Mario Garriba, with all Relatives, The verb to die and the point of death.
This year's Grand Prize is awarded to Torino Christopher Doyle, It became almost by chance one of the most important directors of the world photography. Always he lived a life full of freedom and experience, finding any jobs around the world to work with Gus Van Sant, Barry Levinson, Philippe Noyce, Zang Yimou, Wong Kar-wai and he thereby become a director. For the occasion will be screened WIND Saw Tiong Guan (Malaysia / Hong Kong, 2016, DCP, 33’). A real dip in the exceptional life of the Gran Premio Torino.
Then there GABRIELE SALVATORES PRESENTS: FIVE EASY PIECES. Five films that have changed the lives and the profession of the director as he himself explains. Everything was ready. My room, the desk, even the brass plate with my name on the legal office door of my father. But there were around those movies, in those years… And the music that you captured from the soundtrack! I have to thank these five films, these “Five Easy Pieces” (but not simple), because they are among those who have kept me from being a lawyer. A movie can change your life? In my case the answer is yes. We reveal the five titles including the Palme d'Or at Cannes Jules and Jim by François Truffaut's 1962, IF… Lindsay Anderson 1968, ALICE’S RESTAURANT di Arthur Penn del 1969 e THE STRAWBERRY STATEMENT di Stuart Hagmann del 1970.
The eccentric section of AFTER HOURS festival gathers every year a number of films ranging from horror to the mockumentary, from the bizarre erotic, from sophisticated metaphor to screwball comedy. Then there Vocation Night: inaugurated in 2015, Also this year on the first Saturday of the festival, the 19 November, from midnight to the next morning “horror night”
As for the TFFdoc section of the love that is the engine that moves everything and that this year also inspired the focus TFFdoc, which becomes for the occasion TFFdoc / love. Through six films, from Monday to Friday, We will be declined all variants set out in the quote on the subject of the love of Paul B. Valued. Meetings with directors and directors of the films, con philosopher, authors, journalists, researchers, biografe, militants who will guide the audience in this tunnel of love. The selected works are Italian: A CLOSED FISTS Pierpaolo De Sanctis, AB FELT di Mauro Ruvolo, A BITTER STORY di Francesca Bono, HIDDEN PHOTOS David Cave, MOO YA Philip Ticozzi, PRO LOCO of Thomas Lipari, SARO Enrico Maria Artale and LA VILLE Engloutie ZimmerFrei.
Speaking of Italian authors ITALIANA.CORTI the section reserved for unpublished Italian short films. this year are 13 titles, enclosed in 3 programs "baptized" by the Rolling Stones. Pure Rock n Roll. each of (small) film is a universe unto itself that follows its own rules and its trajectories. The short is radical by definition. In 2015 They were awarded Le Dossier de Mary S. Olivia Molnàr (best short Film) and the sweet home of Elizabeth Falanga (Special Jury Prize).
Another section not to be missed is WAVES, that following instinctively the fate of the nouvelle vague in contemporary film drifts, Also this year is the interpreter of that unfinished dialogue between the finiteness of narration and the infinity of languages. Eighteen of various film footage, that respond, each in its own way, looking for a relationship distinctly expressive and passionate film between the History, with its events, and stories, with their experiences. For a closer look, and put together the films selected are marked by the fate of a cinema that forces his own classicism, converses with the modernity of the Masters, and thus cross-examine the present time with the tools of investigation that is first of all linguistic, expressive.
We are a year according to the retrospective ” THINGS THAT WILL. EARTH VIEW FROM THE CINEMA “, the representations, mostly catastrophic-apocalyptic dystopian, that cinema has given the Earth of the future, often mediating the literature. As mentioned by the Artistic Director Emanuela Martini "Here is a new path through predictions that are sometimes made and that have not lost topical. The disconsolate considerations on love and loss of feelings of short films by Jean-Luc Godard to the painful warning from Bertrand Tavernier about the possible drifts of TV shows; the journey in 1984 imagined by George Orwell to that in the memory and in the time of Chris Marker's masterpiece; from the hectic metropolis awaiting the end of the world (Toronto in Last Night di Don McKellar) the desertified worlds and ruined post-end of the world (Glen and Randa di Jim McBride, The last bout di Luc Besson); from the deadly games of Rollerball (the original Norman Jewison) e Battle Royale di Kinji Fukasako, to “toys” who bought conscience and do not want it to disappear Spielberg and Salvatores. There are rare films (il cecoslovacco Icarus XB 1 di Henry Polak), unknown films that became cult small (A Boy and His Dog di L. Q. Jones), satire frantic and anarchist (Mr. Freedom di William Klein, Sleeper di Woody Allen, Action mutant di Álex de la Iglesia), film to be reassessed in the dramatic actuality of their narrative, come Demon Seed di Donald Cammell (a computer that wants an heir by a woman) e The Stepford Wives di Bryan Forbes (affluent suburban husbands wives who prefer robots to those in the flesh).”
We remind the TorinoFilmLab supporting emerging filmmakers from around the world through training, project development and financing to the production and distribution and can boast a total of 68 completed films, presented at major international festivals and distributed internationally. from 2008 thanks to TorinoFilmLab activities have been granted over 40 awards to support production projects developed in its programs. And the 2016 It ends with a new record: 25 films completed and selected to participate in the most prestigious festivals in the world. Among the well 14 targati TFL films present this year at the Turin Film Festival stand The Happiest Day in the Life of Olli Mäki Juho Kuosmanen – winner of the Un Certain Regard section which will be screened in Mobile Feast – and Jesús Fernando Guzzoni which will be in Turin Competition 34, which is added the 12 titles that make up the section: Apprentice, dogs, Deadweight, Go Home, Godless (Pardo d’Oro a Locarno), Out of Love, Polaarpoiss, The journey with father, Thala My Love, Together For Ever, Fell from the sky, The last land.
But let the JURY which are as follows:
TORINO 34 chaired by American Ed Lachman and members Don McKellar (Canada), Mariette Rissenbeek (Germany), Adrian Sitaru, Romania), Hadas Yaron (Israel)
INTERNAZIONALE.DOC: Kamal Aljafari (Germany), Ann Carolin Renninger (Germany), Gaël Teicher (France)
FIPRESCI: Gianlorenzo Franzi (Italy), Frederick Jaeger (Germany), Yael Shuv (Israel)
ITALIANA.DOC: Eleonora Danco (Italy), Luciano Rigolini (Switzerland), Marcello Sannino (Italy)
ITALIANA.CORTI: Colapesce, Lucia Veronesi and Matthew Zoppis
And finally, the jury composed of Altan CIPPUTI, Claudio Carabba e Stefania Casini. To contribute CIPPUTI AWARD 8 Films presented in sections TORINO 34, FESTA MOBILE, TFFdoc / INTERNAZIONALE.DOC and TFFdoc / Italiana.doc respectively: LOS DECENTES di Luke Valenta Rinner, JUAN ZENG ZHE / THE DONOR di Qiwu Zang, MACHINERY PAN di Torino per Joaquín del Paso 34; KATE PLAYS CHRISTINE di Robert Greene, LAO SHI / OLD STONE di Johnny Ma per FESTA MOBILE; NANA Luciana Decker (TFFdoc / INTERNAZIONALE.DOC) and TFFdoc / Italiana.doc A CLOSED FISTS Pierpaolo De Sanctis and AB URBE COACTA Mauro Ruvolo.