Presented at the Turin Film Festival in 2003 the film "MEMORIES OF A MURDERESS - MEMORIES OF MURDER" is the second film by Bong Joon-ho and is distributed by 13 February 2020 in Italia da Academy Two. The film was nominated Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: At his second feature, Bong Joon-ho already demonstrated, in 2003, a complete mastery of the medium of film and its extraordinary storytelling skills, telling a famous fact of Korean record by reviewing logs admixture, of
Tag: #SNCCI
Film Critics 2020 by SNCCI: LAKE OF THE WILD GEESE "Diao Yinan
Presented in Official Competition at the Cannes Film Festival 2019 il film "NAN FANG CHE ZHAN DE JU HUI (THE WILD GOOSE LAKE)"Diao Yinan distributed in Italy by Movies Inspired Film Critics was nominated by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: Diao Yinan brings a poetic perspective and aesthetics in a fascinating noir from brutal violence explosions, This also becomes the occasion for a reflection on Chinese Modernity. An uproar of chaos, where dominating is the sense of helplessness and death: the director
National Syndicate of Italian Film Critics: BEST FILM 2019
And 'Cannes is full even at the SNCCI. In fact it is the betrayer of Marco Bellocchio, for the Italian section and Parasite Bong Joon-ho, for that that are internationally, according to the National Syndicate of Italian Film Critics (SNCCI), the best films released in the room 2019. The Italian film was shown via a referendum open to all members of the union, while the international section have spoken critics that make up the special committee to award the Film Critics award that aims to alert the public of particular artistic value, cultural and spectacular.
Of Film Critics 2019 From SNCCI: The truths of Kore-eda Hirokazu
Presented at the Venice Film Festival 2019 the film "THE TRUTH" Kore-eda Hirokazu distributed in Italy by BIM was designated Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: A diva of French cinema at sunset, a screenwriter daughter always overshadowed egocentrism of the mother and an autobiography that, revealing secrets and lies, reopens wounds never healed. In his first work outside Japan, Kore-eda enhances the universality of its themes reflecting on the art of acting backlight capable of mixing fact and fiction to get a truth
Film Critics 2019 by SNCCI: LIFE OF INVISIBLE Eurydice GUSMÃO Karim Aïnouz
Presented at the Cannes Film Festival 2019 , from 12 September distributed by Officine UBU in the Italian film "LIFE INVISIBLE GUSMÃO Euridice" Karim Aïnouz was designated Film Critics by the National Syndicate of Italian Film Critics SNCCI with the following Motivation: Through the love story of two sisters in Rio prevented 50s, Brazilian director shoots a rare intensity and beauty melodrama, Mindful of the lessons of the great masters of the genre (Circus, Fassbinder, Wong Kar-wai, Matarazzo), tracing the cruel condition of subordination of twentieth-century woman in a patriarchal society blindly.
PRESS RELEASE SNCCI on the closure of the home L”Aquila of the Experimental Center of Cinematography
With regret and for the sake of information we publish PRESS of the National Union of Italian Film Critics who intervenes on the closure of the office of L'Aquila CSC - Experimental Cinematography Center. A country that does not invest on training erase your own future. The SNCCI considers very serious damage closing the headquarters of L'Aquila of the Experimental Center of Cinematography (CSC), a school of excellence, one in a kind, dedicated to audiovisual report. In recent years the school has graduated dozens of boys, che non hanno avuto difficoltà ad intraprendere una carriera professionale, because of the
Film Critics from SNCCI: Wajib - INVITATION TO WEDDING Annemarie Jacir
Presented at the Locarno 2017 and recently in Italian cinemas "wajib - INVITATION TO WEDDING" Annemarie Jacir, Film distributed by Satine was designated Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: Escaping an ideological approach, the filmmaker examines generational differences on important issues of politics and traditions, with a film that focuses on family frictions in a daily Palestinian scenario moved by significant opposition. Without exceeding in a captivating aesthetic, a precise and lucid picture comes out in the
Film Critics from SNCCI: “SECOND LOVE ISABELLE” di Claire Denis
Recently released in theaters, and presented at Cannes 2017 "LOVE SECOND ISABELLE" by Claire Denis, CINEMA Ltd. distributed by Valerio De Paolis was appointed Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: For the lucidity with which Claire Denis elaborates in a flagrant cinematic experience the spectrum of moods that, between hope, expectation and disappointment, They nourish the feeling of love, entrusting the instinctive presence of Juliette Binoche with the portrait of a female identity willing to dialogue with the doubts of passion
Film Critics from SNCCI: "LA CASA SUL MARE" di Robert Guédiguian
In theatrical release and presented in Venice 74 "THE HOUSE OF THE SEA" by Robert Guédiguian distributed by PARTHENOS was designated Film Critics by the National Syndicate of Italian Film Critics - SNCCI. Grounds: consistent and faithful Author, Guédiguian signing a return to a place, to a group, in a historical phase, along with a pool and a revisitation, questioning the sense of memory and its own place in the world and in society. The broken lines of personal memories meet the streets barred to migrants looking for a better future; his memory, understood as their own
Film Critics from SNCCI: "FIXEUR" in Adrian Sitaru
Adrian Sitaru’s film “FIXEUR” released by LAB 80 Film Critics has been designated by the National Syndicate of Italian Film Critics - SNCCI. Grounds: A film that confirms the extraordinary season of Romanian cinema, soundings again the moral dilemmas of a country that struggles to change its course, through the ambiguity of a representation between cynicism and denunciation, scoop and information, violated adolescence and dangerous fascinations. Sitaru film company duro, that goes to the heart of the problem.