BAD LUCK BANGING OR LOONY PORN di Radu Jude, presented at the 71st Berlinale, winner of the Golden Bear and distributed by Lucky Red Distribution (release in theaters 29 April), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: For the lightness with which Radu Jude squares the present time, addressing issues related to the relationship between public and private, in a comedy that ironically affects the body of contemporary society, exposing the ever less endemic fascisms to the mockery of a suspended mise-en-scène
Tag: #SNCCI
#DO NOTCLOSEICINEMA !
Il Mondo della Cultura lancia un appello affinché si rivedano i recenti provvedimenti restrittivi anti-COVID19 Enti dello spettacolo e artisti in prima linea perché il Ministro Franceschini e il Presidente Conte rivedano i recenti provvedimenti che prevedono da oggi fino al 24 November the closure of theaters and cinemas. In this regard, an open letter was sent with the reasons for the reopening of the rooms. In effetti all’indomani della kermesse romana della Festa del Cinema sembrano incomprensibili le nuove restrizioni che colpiscono pesantemente un settore che stenta a rialzarsi dal lock
ROUBAIX, A LIGHT by ARNAUD DESPLECHIN: the review by Maria Vittoria Battaglia
Thriller incompiuto che mette a nudo l’umanità dei criminali di una Francia desolata Esce il 1 October, distributed by No.Mad Entertainment, ROUBAIX, A LIGHT, film by Arnaud Desplechin in Competition at Cannes 2019 and premiered at the RENDEZ-VOUS in Rome. The film was designated Film of the Critics by the National Union of Italian Film Critics - SNCCI with the following motivation: “An experienced and compassionate commissioner. Two women who are lovers and possibly murderers. A city, Roubaix, far north of France, wasteland and impoverished land, filmed with livid and nocturnal tones. A polar
Film Critics from SNCCI: “UNDINE” – A LOVE FOREVER ”by Christian Petzold
Presented at the 70th Berlinale SILVER BEAR FOR BEST ACTRESS to Paula Beer and distributed by Europictures (Exit 24 September), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: Confirming himself among the most original and narratively daring filmmakers of the present, Christian Petzold draws on Nordic mythology to give us a new poignant love story. Against the backdrop of a constantly changing Berlin, among revisited legends, omens and obsessions, Undine and Christophe are the tragic heroes of a melò that defies destiny, suspended
Film Critics from SNCCI: "EMA" by Pablo Larraín
"EMA" by Pablo Larraín, presented at the 76th Venice International Film Festival and distributed by Movies Inspired (Exit 2 September), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: Temporarily abandoning the re-reading of the history of his country to look at the present, Larraín tears apart the concept of family, between dancing bodies, music and night raids. Magnetic charm, anti-social nature, woman and mother according to their own rules, Ema sets fire to, but, creates and destroys. Its slender and powerful figure represents a
Film Critics from SNCCI: “HIGH LIFE” di Claire Denis
HIGH LIFE ”by Claire Denis presented at the 36th Turin Film Festival and distributed by the Movies Inspired (Exit 06 August), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: An orbiting prison in space. A micro-company divided by tasks and genres. Claire Denis talks about the end of humanity at the dawn of the definitive mutation. Author who loves to constantly reinvent her cinema, moving with supreme ease in the genres, signs a very black and sensual sci-fi fable, erotic and political. High Life is contemporary cinema that challenges the
#SNCCI PRESS FIPRESCI
We publish below a translation of the statement from the Federation received the FIPRESCI Syndicate SNCCI: "Dear colleagues, I hope this message you are well and in a safe environment, in these terrible times. I want to tell you that, from our part, everything is under control, at the moment. We are continuing our work to FIPRESCI. In the last weeks, more festival (March, April, May) They have been postponed or canceled or moved to an online version. How do we react? In the case of festivals that have canceled or postponed the issue to a later date, we have, obviously, informed all colleagues
Film Critics 2020 by SNCCI: "FAVOLACCE" of Fratelli D'Innocenzo
Presented at the 70th edition of BERLINALE film "FAVOLACCE" is the second feature of Fratelli D'Innocenzo distributed by 16 April 2020 Distribution in Italy by VISION. The film was nominated Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: "For having told, thesis and soft tones at the same time, a black fairy tale in which reality dreamy childhood and adulthood annihilated despair intertwine and invert. The cutting edge style and deep writing films offer a universal contemporary insight, that
Film Critics from SNCCI: ALICE AND THE MAYOR "Nicolas Pariser
ALICE AND THE MAYOR ”by Nicolas Pariser has been nominated Critics Film by the National Union of Italian Film Critics - SNCCI with the following Motivation: A contemporary reflection, very shiny and ruthless, on the relationship between politics and ideas. What are ideas? What role do intellectuals play today? And how can politics face the sense of powerlessness in the face of the complexity of the world? In the relationship between a young philosopher and an old wolf of politics, imaginary socialist mayor of Lyon, Nicolas Pariser finds the words to decipher the present and
Film Critics 2020 by SNCCI: MEMORIES OF MURDER "di Bong Joon-ho
Presented at the Turin Film Festival in 2003 the film "MEMORIES OF A MURDERESS - MEMORIES OF MURDER" is the second film by Bong Joon-ho and is distributed by 13 February 2020 in Italia da Academy Two. The film was nominated Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: At his second feature, Bong Joon-ho already demonstrated, in 2003, a complete mastery of the medium of film and its extraordinary storytelling skills, telling a famous fact of Korean record by reviewing logs admixture, of