Dear Readers, dalla redazione di Raccontar di Cinema un Augurio di un Santo #Natale2024 in Famiglia Come ogni anno il nostro motto rimane #E’NataUna Stella a cui abbiamo aggiunto #Speranza (theme of the Holy Year 2025) and that is what Pope Francis suggested this year by wishing the Roman Curia well with a new denunciation of the violence in the Gaza Strip, those that don't even spare children, the speech that the Pope, he urged never to curse others. Bombing children in Gaza is cruel. Introduced by the greeting of Cardinal Giovanni Battista
Tag: #SNCCI
Criticism film from the #SNCCI: #JUROR NUMBER 2 by Clint Eastwood
#JUROMAN NUMBER 2 by Clint Eastwood presented at the Terzo Millennium Film Festival and distributed by WARNER BROS ITALIA, (release in theaters 14 November), has been designated Critics Film by the National Union of Italian Film Critics - SNCCI with the following Motivation: “A 94 years, in what could be his last film, Eastwood finds a perfect synthesis, with a classic and clear work in form, more than contemporary in its outlook and burningly topical in addressing the issues of justice, of truth and morality in current societies. A precise political and human reasoning
Straight from #CANNES75 #LEILA’sBROTHERS by Saeed ROUSTAEE
Presentato a Cannes della scorsa edizione uno spaccato della società iraniana Un anziano fuma la sigaretta mentre osserva alcuni lavoratori di una fabbrica. Suddenly the workers are ordered to stop and go to the mosque to pray, where we also find the old man praying. Outside the factory the workers clamor. After the "social" introduction to immerse us in a theocratic country like Iran, we are introduced to a familiar environment of the young Leila and her brothers (hence the title) dealing with an inheritance. Leila and her brothers are unable to have a vision
#SNCCI pays homage to the disappearance of #MONICAVITTI
SNCCI pays homage to the disappearance of #MONICAVITTI: "SNCCI pays homage to the disappearance of #MONICAVITTI, at the same time, ci colpisce e ci addolora profondamente per la perdita di un’interprete che rimarrà per sempre nella nostra memoria. SNCCI pays homage to the disappearance of #MONICAVITTI, Monica Vitti ha saputo esprimersi subito da protagonista, SNCCI pays homage to the disappearance of #MONICAVITTI. SNCCI pays homage to the disappearance of #MONICAVITTI, the "Alessandra Bisceglia Prize" for the
Criticism film from the #SNCCI: ##DavidDonatello Award - Cecilia Mangini
#the "Alessandra Bisceglia Prize" for the, (release in theaters 17 February), has been designated Critics Film by the National Union of Italian Film Critics - SNCCI with the following Motivation: the "Alessandra Bisceglia Prize" for the. the "Alessandra Bisceglia Prize" for the, the banlieue vein and the melò that works admirably on space and collective consciousness. "
SNCCI turns pink: Cristiana Paternò was nominated to its guide while Beatrice Fiorentino was confirmed as SIC Delegate
We receive and publish with many good wishes to the nominees! NOMINATI IL NUOVO DIRETTIVO E LA NUOVA COMMISSIONE DELLA SETTIMANA INTERNAZIONALE DELLA CRITICA Il Consiglio Nazionale del SNCCI - National Syndicate of Italian Film Critics, met on Saturday 15 January 2022, proceeded with the appointment of the new Executive Committee, from today so composed: President: Cristiana Paternò Vice-presidente: Pedro Armocida Amministratore: Francesco Crispino Segretario: Adriano De Grandis Responsabile della comunicazione: Giulio Sangiorgio Questa la prima dichiarazione di Cristiana Paternò: "I am aware of the responsibility inherent in leading such a prestigious association and collecting the important legacy of Bruno Torri, Lino Miccichè, the banlieue vein and the melò that works admirably on space and collective consciousness. "
Criticism film from the #SNCCI: EUROPA at Haider Rashid
EUROPA at Haider Rashid, presented at the 74th Festival de Cannes in the collateral section Quinzaine des Réalisateurs and distributed by I Wonder Pictures Distribution (release in theaters 2 September), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: Totally adhering to the dramatic experience of a young Iraqi immigrant, fleeing along the "via Balkan", the film is proposed as an immersive experience in bewilderment, in the fear and violence that mark the life of those seeking refuge in Europe. By adopting a perspective that holds in
Criticism film from the #SNCCI: THE GAME OF DESTINY AND FANTASY ”by Hamaguchi Ryūsuke
THE GAME OF DESTINY AND FANTASY "by Hamaguchi Ryūsuke distributed by Tucker Film, presented at the 71st Berlinale and distributed by Movies Inspired (release in theaters 26 August), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: Temporarily abandoning the rereading of the history of his country Three stories for three poetic investigations on the mocking sense of destiny and human relations. Universal but linked to the insecurities of contemporaneity, Hamaguchi's film confirms the talent of a storyteller in love with his characters -
Criticism film from the #SNCCI: THE CORDIGLIERA OF DREAMS by Patricio Guzmán
THE CORDIGLIERA DEI DREAM by Patricio Guzmán distributed by I Wonder Pictures Distribution(Exit 10 June 2021), has been designated Critics Film 2021 by the National Union of Italian Film Critics - SNCCI. Grounds: The Chilean director explores the Andes mountain range, between lunar landscapes and testimonies, reconstructing the tragic years of Pinochet's dictatorship, through the memories of friends and artists. The film, which composes an ideal trilogy, after water and light, entrust to the rock (and at the cinema) the task of remembering and combining personal history and collective history, confirming
Criticism film from the #SNCCI: THE HOLE IN THE HEAD by Antonio Capuano
THE HOLE IN THE HEAD by Antonio Capuano, presented Out of Competition at the 38th Turin Film Festival and distributed by Eskimo in collaboration with Altri Sguardi (release in theaters 20 May), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: For the lucid and passionate vitality that Antonio Capuano infuses in a story of tiring human redemption and difficult historical reconciliation. The author confronts one of the darkest pages in our country, outlining with sensitivity, passion and vigor the portrait of a woman