#CANNES77 – 14/25 May 2024 SPECIAL #8 (DAY3): The critical gaze of Vittorio De Agrò from the Palais

At the Palais you can breathe the air of the longest day for Francis Ford COPPOLA, and the Festival remembers the tormented Ukraine with Sergei's documentary LOZNITSA (from Cannes Luigi Noera and Maria Vittoria Battaglia with the kind collaboration of Vittorio De Agrò (RS) - the photos are published courtesy of the Cannes Film Festival) COMPETITION BIRD di Andrea ARNOLD Sinossi: The story of a twelve-year-old girl living in a squat in the south of England, con il padre single e il fratello Recensione: Although many critics from across the Channel and overseas have defined this film as one

#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #8: (DAYS 5&6)

(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) SERGEI LOZNITSA returns to the Lido with a very current powerful documentary, mentre nella sezione autonoma GdA si racconta dell’ultima regina della sponda sud mediterranea FUORI CONCORSO - NON FICTION THE KIEV TRIAL di SERGEI LOZNITSA Paesi Bassi, Ukraine / 106’ SINOSSI Il processo di Kiev, also known as the 'Nuremberg of Kiev', took place in January of 1946 in the Soviet Union, and it was one of the first trials

SPECIAL # CANNES75 - 17/28 May 2022 #14 (DAY 7): Marina Pavido's critical raids on the Croisette

the-natural-history-of-destruction-cannes

Cronenberg and Alper compared in the two main selections leave their mark on this edition which also addresses the theme of wars of yesterday and today, for this reason we wanted to highlight a photo from Sergei Loznitsa's doc (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Art, chirurgia e mutazioni – Crimes of the Future Grande attesa al Festival di Cannes 2022 per Crimes of the Future, latest effort by Canadian director David Cronenberg, running here for so much

SPECIAL # CANNES74 - 6/17 July 2021 #5 (DAYS 5&6)

  (da Cannes Luigi Noera - Photos are courtesy of the Cannes Film Festival) Finland with a film about the unpredictability of life thrills the audience, invece il maestro Nanni Moretti divide la critica Dalla Selezione uffiiale: BERGMAN ISLAND di MIA HANSEN-LØVE - A story within the story between fantasy and reality. A couple of writers travel to the famous island, the scene of the Swedish director's many hits to find inspiration for their next work in their own way.. A duo of actors with unmatched Tim Roth discovering

#CANNES 2017 all the winners and not . . . - part 1 - Official Selection

The recently concluded edition will be remembered because hardly the winners will be remembered. Contrariamente alle previsioni i premiati a parte l’inglese YOU WERE NEVER REALLY HERE, Sweden's The Square and the Russian Nelyubov (LOVELESS), other authors and interpreters were placed at the end of our Popularity ranking. Especially we were surprised that the "homework" by Sofia Coppola has received the award for best director. But there was also an outside program with a special prize for the 70th anniversary of the Festival went to actress Nicole is Kindam

Special # CANNES70 – (DAYS 8&9)

La Russia fa il bis e mette una ipoteca sulla Palma d’Oro con Sergei LOZNITSA Mercoledì 24 and Thursday 25 Maggio Foto per gentile concessione del Festival de Cannes A metà settimana viene applaudito in casa Jacques DOILLON che ha presentato un icona della Francia omaggiando il Museo Parigino. The controversial director with an operation that has the flavor of propaganda presents the private life of the sculptor Auguste Rodin in a colossal work. But it is not surprising that new language and a forum in which the Cannes Film Festival

ESCO WINTER. Premiered in Palermo to De Seta "Austerlitz" for Memorial Day

Friday 27 January to Cinema De Seta to 20.30, on the occasion of Remembrance Day, l 'Association SudTitles, in collaboration with the Goethe-Institut Palermo, Previews AUSTERLITZ, the last of the Ukrainian filmmaker Sergei Loznitsa (review). Presented at the Venice Film Festival and in competition at Toronto Film Festival, the film offers a reflection on mass tourism today in the concentration camps of Sachsenhausen, 35 kilometers north of Berlin. Il regista punta la telecamera ad altezza d'uomo e filma il percorso dei visitatori nel campo, the same

Special 73rd International Film Festival - THE BEST FILM

Juries in balance (precarious?). The best films in the side autonomous sections. Foto per gentile concessione di La Biennale Quest’anno le tante personalità chiamate a fare parte delle Giurie delle varie sezioni di Venezia, they are expressed on the evening of the awards ceremony with poise even if precarious. It seems appropriate to recall the members and thank them for the good work put in the ten days of the Show! The Jury Venice 73, in addition to the president, director Sam Mendes, He included the artist, singer, American director and writer Laurie Anderson, British actress Gemma Arterton, the magistrate, writer, playwright

Special 73rd International Venice Film Festival – BEST FILM

Juries in balance (precarious?). The best films in collaterali.Foto autonomous sections courtesy of The Biennale.Quest'anno the many personalities invited to be part of the Jury of the various sections of Venice, they are expressed on the evening of the awards ceremony with poise even if precarious. It seems appropriate to recall the members and thank them for the good work put in the ten days of the Show!The Jury Venice 73, in addition to the president, director Sam Mendes, He included the artist, singer, American director and writer Laurie Anderson, British actress Gemma Arterton, the magistrate, writer, playwright

Speciale 73esima Mostra Internazionale d’Arte Cinematografica – mercoledì 7 and Thursday 8 September (DAYS 8&9)

Alla ricerca del Leone d’Oro che però non parla italianodal Lido di Venezia Luigi Noera – Foto per gentile concessione della Biennale.Al settimo giorno la Mostra è ancora alla ricerca dell’ousider per il Leone d’Oro, ma anche mercoledì una delusione è stata offerta dal maestro Terrence Malick, che a VENEZIA 73 ha presentato la sua fatica durata tanti anni Voyage of Time: Life’s Journey. Purtroppo il maestro non lo riconosciamo più. Bisogna dire al vero che il film è la copia buona dell’altro documentario italiano Spira Mirabilis passato ieri sempre

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