#CANNES76 – 16/27 May 2023 SPECIAL #3 (DAY-1)

The autonomous sections of the Festival: QZ, SdC e ACID: and film (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Alongside the sacred monsters presented in the Competition, Out of Competition and in Un Certain Regard, the Cannes Film Festival hosts three sections in separate but adjacent locations on the Croisette where new talents can be discovered. Here is the cultural proposal of 2023 which will be a year of rebirth after Covid. For the official selection, please refer to the previous article by Marina Pavido who already has us

Criticism film from the #SNCCI: EUROPA at Haider Rashid

EUROPA at Haider Rashid, presented at the 74th Festival de Cannes in the collateral section Quinzaine des Réalisateurs and distributed by I Wonder Pictures Distribution (release in theaters 2 September), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: Totally adhering to the dramatic experience of a young Iraqi immigrant, fleeing along the "via Balkan", the film is proposed as an immersive experience in bewilderment, in the fear and violence that mark the life of those seeking refuge in Europe. By adopting a perspective that holds in

SPECIAL # CANNES72 #5- 14/25 MAY 2019 (DAYS 2&3)

Ken Loach si confronta con opere prime e le animazioni su Kabul forano lo schermo Dopo l’apertura con l’ultimo film di Jim Jarmusch sul tappetto rosso viene presentata dalla Francia l’Opera prima LES MISÉRABLES di Ladj LY, in a manner that shows the didactic balienu Parisian views from the point of view of the cops of the French Securité. Two policemen on duty for a long time take charge of the training of a colleague just transferred from the province. In the capital the contradictions of African socio-cultural ghetto blacks are palpable even against European minorities such

La defensa del dragon Natalia Santa - review of Marina fearful

Which premiered in the Cannes, during the 70th edition of the Cannes Festival, La defensa del dragon is the work before the Colombian filmmaker Natalia Santa, first Colombian woman to have taken part at the Cannes Film Festival. In chess variant of the Dragon is a provision of blacks pedestrians on the wing of the king who remembers, just, the constellation of the Dragon. With such an arrangement the king is virtually impregnable, It closed as it is by such a solid defense. This provision seems to be particularly appreciated by Samuel, professional chess player who divides his time between

Top