Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today the fourth day 27 June - ROMA CENTRO Cinema 4 FONTANE h.19:00 THE MOST PRECIOUS OF GOODS by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) Luigi Noera saw it for us and we report his impressions: “Who would have thought that from the inspiration of the director of The Artist and the most recent Cannes opening zombie remake of 2022, Final Cut
Tag: Fortnight of directors
#CANNES77@Roma 24 – 30 June 2024 Day 3 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today third day 26 June - ROMA PRATI Cinema GIULIO CESARE h.16:45 BAKENEKU ANZU-CHAN di Nobuhiro Yamashita e Yōko Kuno / 97’ (FILMMAKERS' FORTNIGHT) Luigi Noera saw it for us and we report his impressions: “It is the story of an eleven-year-old girl Karin entrusted by her inept widowed father Tetsuya to her monk grandfather who lives in the temple with the cat
#MONGREL di Chiang Wei Liang and You Qiao Yin – direttamente da #Cannes77
Previewed at the Directors' Fortnight of #Cannes77, the film tells the story of an illegal migrant who becomes a carer for the elderly and disabled in the mountains of Taiwan, adesso inserito nella rassegna romana @Canness77@Roma Recensione: With a slow narrative, whose dialogues are reduced to the bare bones, the work denounces the conditions of exploitation of migrant workers in Taiwan, forced in turn to recruit migrants and tourists who will be condemned to the same fate as them. This first work looks you straight in the eye and throws you into the center of the dark setting, also thanks to the photography choices
#CANNES77 – 14/25 May 2024 SPECIAL #18 (DAY7): The critical gaze of Maria Vittoria from the Croisette
Un Certain Regard points the finger at gender disparity with an Indian film. A Korean film between action and thriller is out of competition (from Cannes Luigi Noera and Maria Vittoria Battaglia with the kind collaboration of Vittorio De Agrò (RS) - the photos are published courtesy of the Cannes Film Festival) Un Certain Regard SANTOSH di Sandhya SURI Sinossi: Debut film about a widow turned police officer in rural northern India. Review: Santosh is a film that manages to combine a compelling plot with incisive social criticism, offering an experience
#CANNES77 – 14/25 May 2024 SPECIAL #16 (DAY6): The critical gaze of Maria Vittoria from the Croisette
An immigrant, the beauty of the school (learn/teach), the indigenous communities of the Amazon forest in defense of their territories are the topics addressed at the halfway point of the Festival (from Cannes Luigi Noera and Maria Vittoria Battaglia with the kind collaboration of Vittorio De Agrò (RS) - the photos are published courtesy of the Cannes Film Festival) Un Certain Regard L'HISTOIRE DE SOULEYMANE di Boris LOJKINE Sinossi: The story of the African diaspora in Europe about a Guinean delivery man who has two days to make up a story for his job application interview
#CANNES77 – 14/25 May 2024 SPECIAL #13 (DAY5): The critical gaze of Maria Vittoria from the Croisette
Un Certain Regard to discover new talents hits its target with a film from Asia (from Cannes Luigi Noera and Maria Vittoria Battaglia with the kind collaboration of Vittorio De Agrò (RS) - the photos are published courtesy of the Cannes Film Festival) Un Certain Regard ARMAND di Halfdan ULLMANN TØNDEL Sinossi: debut film about the story of a woman called to a school meeting for an accusation involving her six-year-old son, that gets out of control. Review: The film is set in an elementary school, where the teachers summon the parents of
#CANNES77 – 14/25 May 2024 SPECIAL #10 (DAYS3&4): The critical gaze of Maria Vittoria from the Croisette
In the opening lines Un Certain Regard reminds us that redemption is always possible, from the Fortnight a fascinating Doc, finally we discover ACID and its pearls (from Cannes Luigi Noera and Maria Vittoria Battaglia with the kind collaboration of Vittorio De Agrò (RS) - the photos are published courtesy of the Cannes Film Festival) Un Certain Regard THE SHAMELESS di Konstantin BOJANOV Sinossi: The story of the forbidden love of two women who escape their lives as sex workers and embark on a dangerous journey to freedom. Review: The Shameless is a film that
In cinemas directly from #CANNES75: The Envol by Pietro Marcello
Family ties and a future to be discovered - L'Envol - Marina's review (Photos are courtesy of the Cannes Film Festival) The Italian filmmaker Pietro Marcello is a real source of pride as regards contemporary Italian cinema. After the successes of Lost and Beautiful (2015) and Martin Eden (2019) here he arrives at the Croisette with his latest effort: Flight, opening film of the Directors’ Fortnight of the 75° Festival di Cannes. The story staged, therefore, is that of the young Juliette (personified by Juliette Jouan),
SPECIAL # CANNES75 - 17/28 May 2022 #07 (DAY 3)
Even the Cannes Film Festival is in solidarity with the battered Ukraine whose suffering is remembered with the screening of the posthumous work by Mantas Kvedaravicius on Mariupol (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Al secondo giorno della Selezione Un Certain Regard si distingue con l’opera prima RODEO della regista Lola QUIVORON Concorso ufficiale ARMAGEDDON TIME di James GRAY - From acclaimed director J comes a deeply personal coming-of-age story about the strength of family and the generational quest for the American dream. The film
SPECIAL # CANNES75 - 17/28 May 2022 #06 (DAY 3): Marina Pavido's critical raids on the Croisette
The acclaimed film in competition Armageddon Time , or America of the eighties together with Les Harkis on the dramatic Algerian war and its consequences in the autonomous section Fortnight are two unforgettable films (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Un affresco dell'America degli anni Ottanta in una delicata storia famigliare – Armageddon Time La storia di una nazione vista attraverso gli occhi di un singolo personaggio. The 1980 it is a crucial year to say the least as far as history is concerned