Murders and impossible loves - Decision to leave - Marina's review (Photos are courtesy of the Cannes Film Festival) Another great name present, in competition, at this 75th edition of the Cannes Film Festival is the famous Korean director Park Chan-wook. On this occasion, indeed, the filmmaker gave us Decision to leave, a refined yellow with a passionate love story in the background, that does not disdain even a welcome, veiled irony. The corpse of a man - probably fallen during a mountain climb - immediately catches the eye
Tag: Park Chan-wook
SPECIAL # CANNES75 - 17/28 May 2022 #14 (DAY 7): Marina Pavido's critical raids on the Croisette
Cronenberg and Alper compared in the two main selections leave their mark on this edition which also addresses the theme of wars of yesterday and today, for this reason we wanted to highlight a photo from Sergei Loznitsa's doc (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Art, chirurgia e mutazioni – Crimes of the Future Grande attesa al Festival di Cannes 2022 per Crimes of the Future, latest effort by Canadian director David Cronenberg, running here for so much
The cult director Park Chan-wook special guest of the 15 / mo Florence Korea Film Fest
To the author known throughout the world for films such as "Old Boy", “Lady Vendetta” e “I’m a cyborg, but that's ok" a lifetime achievement award will be given and a retrospective will be dedicated in homage to her artistic career. Among the novelties of this edition is the K-Woman section, on the figure of women in Korean cinemaThe cult director and screenwriter Park Chan-wook will be the special guest of the 15th edition of the Florence Korea Film Fest, the festival dedicated to the best of contemporary south korean cinematography started on march 23 and runs until 31 March at the La Compagnia cinema
Special Cannes 2016 : Paolo Virzi enthuses the audience of the Quinzaine
from Cannes Luigi Noera - Weekend 14 e 15 May(DAYS 4/5) - Foto per gentile concessione del Festival de CannesIn questo sabato primaverile Cannes mette a confronto modi di fare cinema agli antipodi non solo geografici.Da un lato Agassi del coreano Park Chan-wook . Years 30, during the Japanese colonization, uA young Korean woman (Sookee) she is hired as a waitress for a rich Japanese woman (Hideko), who lives as a recluse in a huge palace under the tyranny of her uncle. But Sookee and Hideko have secrets. Con l'aiuto di un truffatore che corteggia Hideko, ha altri piani