Presented in Official Competition at the Cannes Film Festival 2019 il film "NAN FANG CHE ZHAN DE JU HUI (THE WILD GOOSE LAKE)"Diao Yinan distributed in Italy by Movies Inspired Film Critics was nominated by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: Diao Yinan brings a poetic perspective and aesthetics in a fascinating noir from brutal violence explosions, This also becomes the occasion for a reflection on Chinese Modernity. An uproar of chaos, where dominating is the sense of helplessness and death: the director
Tag: #CANNES2019
National Syndicate of Italian Film Critics: BEST FILM 2019
And 'Cannes is full even at the SNCCI. In fact it is the betrayer of Marco Bellocchio, for the Italian section and Parasite Bong Joon-ho, for that that are internationally, according to the National Syndicate of Italian Film Critics (SNCCI), the best films released in the room 2019. The Italian film was shown via a referendum open to all members of the union, while the international section have spoken critics that make up the special committee to award the Film Critics award that aims to alert the public of particular artistic value, cultural and spectacular.
Directly from CANNES:The Dead do not die - review of Marina fearful
Billed as the opening film at the Cannes Film Festival 2019, The dead do not die is the latest effort of the US filmmaker Jim Jarmusch. HE, therefore, already in 2013, Only with the Lovers survive, the director had begun to wink at genre cinema, here devote himself, this time, the fascinating world of the zombies. Everything is set in a small American town populated by little more than seven hundred inhabitants. The Earth's axis has inevitably shifted and everything led behind inevitable consequences. That is how, therefore, small happen, unexplained thefts, that
Dolor y Gloria Pedro Almodóvar Cannes winner - review of Francessca Salmeri
Various colors and hypochondria: the comparison between a creative and promising child and the man who is become, victim of its own role and their own choices. Presented and awarded at the 72nd Cannes Film Festival Dolor y glory, Spain 2019, Pedro Almodovar, Antonio Banderas and Penelope Cruz. Dolor y Gloria is the symbol of what the film means to Pedro Almodóvar: the love, It is told through the story of a man suffering, in full artistic and existential crisis, which casts doubt on everything, even his old judgments. What seems Salvador Mallo
SPECIAL # CANNES72 #11 – 14/25 MAY 2019 (DAY 12): the Korean BONG Joon Ho the Palme d'Or
After the victory of the Brazilian Karim AÏNOUZ to Un Certain Regard competition in states without a doubt the South Korean BONG Joon Ho with GISAENGCHUNG (PARASITE) and the Festival ends with the return of ÉRIC TOLEDANO & OLIVIER NAKACHE presenting HORS NORMES (da Cannes Luigi Noera - Photos are published courtesy of the Festival de Cannes) Here are the winners of a checkered edition of the Cannes Festival: Palme d'BONG Joon Ho for the film GISAENGCHUNG (PARASITE) Corea del Sud Gran Premio a Mati DIOP per ATLANTIQUE
SPECIAL # CANNES72 #10 – 14/25 MAY 2019 (DAY 11): Awards Un Certain Regard
After the awards the Cinéfondation, a Certain Regard ends with the controversial win two Spanish titles and the Brazilian film (da Cannes Luigi Noera - Photos are published courtesy of the Festival de Cannes) The Un Certain Regard selection ended with the projection of ODNAZHDY V TRUBCHEVSKE Larissa SADILOVA. A semi-serious comedy about the family of which we'll tell you. Now we want to share the prizes awarded by the jury of UN CERTAIN REGARD composed: Nadine Labaki - President (Director and actress / Lebanon) Marina Fois (actress / France) Confectioners Nurhan
SPECIAL # CANNES72 #9 – 14/25 MAY 2019 (DAYS 10&11): grand finale with Marco Bellocchio
Bellocchio confronts Suleiman while tonight ends a Certain Regard (da Cannes Luigi Noera - Photos are published courtesy of the Festival de Cannes) In the last two days of the Festival we still hope to attend the film worthy of the Palme d'Or would question that now is the unanimous opinion about the Malick, which tells a story of the last century is still present. We start from the movie THE TRAITOR Marco BELLOCCHIO presented on the anniversary of the Capaci massacre 1992. We at sunset
SPECIAL # CANNES72 #8 – 14/25 MAY 2019 (DAYS 8&9) – Tarantino returns to Cannes
A 25 years after the success of Pulp Fiction Tarantino resurrects a painful history of Hollywood and Dolan tries yet another affirmation. (da Cannes Luigi Noera - Photos are published courtesy of the Festival de Cannes) The critics updated standings (fonte SCREEN) of the films in competition in Cannes always to first place with Pedro ALMODÓVAR DOLOR Y GLORIA (PAIN AND GLORY) 3,3, seguito ex equo da DIAO Yinan con NAN FANG CHE ZHAN DE JU HUI (THE WILD GOOSE LAKE) China and Mati DIOP with ATLANTICS 2,8 they get a
SPECIAL # CANNES72 #7 – 14/25 MAY 2019 (DAYS 6&7)
Malick moves while the Dardenne brothers try the bang. (da Cannes Luigi Noera - Photos are published courtesy of the Festival de Cannes) The critics updated standings (fonte SCREEN) of the films in competition in Cannes always to first place with Pedro ALMODÓVAR DOLOR Y GLORIA (PAIN AND GLORY) 3,3, seguito ex equo da DIAO Yinan con NAN FANG CHE ZHAN DE JU HUI (THE WILD GOOSE LAKE) China and Mati DIOP with ATLANTICS 2,8 they get a small cut to Kleber Mendonça Filho & Julian DORNELLES con nighthawk
SPECIAL # CANNES72 #5- 14/25 MAY 2019 (DAYS 2&3)
Ken Loach si confronta con opere prime e le animazioni su Kabul forano lo schermo Dopo l’apertura con l’ultimo film di Jim Jarmusch sul tappetto rosso viene presentata dalla Francia l’Opera prima LES MISÉRABLES di Ladj LY, in a manner that shows the didactic balienu Parisian views from the point of view of the cops of the French Securité. Two policemen on duty for a long time take charge of the training of a colleague just transferred from the province. In the capital the contradictions of African socio-cultural ghetto blacks are palpable even against European minorities such