The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) Two good films at the Zoo Palast over the weekend: #Bethany, presented in the #Panorama section, with a documentary flavor, it is an authentic glimpse of real life and #FoxAndHareSavetheForest, presented in the #GenerationKplus section, è un film di animazione che con i suoi colori pastello fa l’occhiolino ai bambini più piccolini #Betânia di Marcelo Botta | with Diana Mattos, Tião
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#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #7 (DAY 3)
There Marlene-Dietrich-Platz Luigi Noera (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) The first of the Italians in the competition, although very refined, is not convincing! Synopsis: Sal's empty eyes reveal that he lives only on memories since he lost the love of his life, Zoe. Memories like fragments of a shattered mirror that cannot be put back together. Looking at his brother with growing concern, Sal's sister, Place, suggests he try “Another
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #6 (DAY 3)
The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #YoungHearts, presented in the #GenerationKplus section, è un film di una tenerezza disarmante #Young Hearts (Young hearts) di Anthony Schatteman | con Lou Goossens, Marius De Saeger, Geert Van Rampelberg, Emile De Roo, Dirk Van Dyck - Belgium / Netherlands 2024 | WP | Opera Prima Sguardi gioiosi, tender smiles, summer hit music, all illuminated by
#BERLINALE 74th Ed. 15/25 February 2024 SPECIAL #5 (DAY 3)
The critical gaze of Vittorio De Agrò from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò - The photos are published courtesy of the #BERLINALE) #Faruk di Aslı Özge presentato nella sezione #Panorama Sinossi: Farouk, which has more than 90 years, diventa sempre più il protagonista del film che sua figlia sta girando sull'imminente demolizione del suo condominio a Istanbul. A story about gentrification and a complex father-daughter relationship. Review: It often happens that fiction and reality mix, quando un regista ha trovato
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #3 (DAY 2)
The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #EveryYouEveryMe by Michael Fetter Nathansky was presented in the #Panorama section and is the story of a very unhealthy relationship, retta non già sull’amore ma sulla dipendenza Alle die Du bist (Every You Every Me) by Michael Fetter Nathansky | con Aenne Schwarz, Carlo Ljubek, Youness Aabbaz, Sara Fazilat, Naila Schuberth - Germany / Spain 2024
Directly from #Cannes The Nature of Love by Monia Chokri
Synopsis: The Nature of Love, film directed by Monia Chokri, presented at #Cannes in the UCR section with the title Symple Comme Sylvain tells the story of Sophia (Magalie Lépine Blondeau), a philosophy professor from Montreal, coming from a wealthy family, who is in a relationship with Xavier (Francis-William Rhéaume) for ten years. The two are living in a relationship that has now come to an end, in fact they even sleep in different bedrooms. When the two decide to fix some things in the house, the woman meets Sylvain (Pierre-Yves Cardinal), his life is completely turned upside down.
Lights and shadows of #IlColoreViola by Blitz Bazawule
The Color Purple is a film by 2023 directed by Blitz Bazawule, basato sul romanzo #IlColoreViola di Alice Walker e ispirato liberamente dal musical di Marsha Norman, Brenda Russell, Allee Willis e Stephen Bray, film script : Marcus Gardley. Synopsis: In the segregationist Georgia of the early twentieth century, Celie and Nettie are sisters and are inseparable. Almeno fino al giorno in cui il padre incestuoso non 'svende' Celie al peggior offerente, Albert, an alcoholic and violent man. Inconsolabile e 'battuta' dal marito, Celie endures everything, the shots, the humiliations, the children of the first marriage.
#SmokeSauna di Anna Hints
#SmokeSauna is an ode to the female body, who frees himself from the darkness of the violence he has suffered to soar into the clear light, to the transparency of the water. If in the first shot we see the archetype of the feminine (the woman, as it has been portrayed for centuries, from the male point of view: rounded shapes with a newborn on her lap), Smoke Sauna deals with deconstructing this image of women, giving voice to songs and sighs, confessions and laments. Already in this first shot, indeed, the body is stripped: we are witnessing an examination of female reality. The Estonian director, Anna Hints, us
#DieciMinuti by Maria Sole Tognazzi
Spend a few minutes doing something completely new and never done before in life, può davvero cambiare il corso di un'intera esistenza Il film #DieciMinuti è liberamente tratto dal romanzo “Per Dieci Minuti” di Chiara Gamberale, screenplay by Francesca Archibugi and Maria Sole Tognazzi, with : Barbara Ronchi, Margherita Buy, Fotini Peluso, Alessandro Tedeschi, Barbara Chichiarelli, Anna Ferruzzo, Marcello Mazzarella. Spend a few minutes doing something completely new and never done before in life, it can truly change the course of an entire existence. This is what Bianca will learn during one
#PovereCreature (Poor Things) di Yorgos Lanthimos
Restless and entertaining, #PovereCreature, dragging the viewer into a universe (or better, many universes) where the meat, the body, it lends itself to creation, come fosse una tela bianca Lanthimos continua il suo viaggio ai confini dell’assurdo, investigating with a distorted gaze, elegantly aestheticized by the use of the fish-eye lens (already a fetish for the director in The Favourite). Poor Creatures touches on many themes - suicide, the creation, loneliness, identity, domestic violence, the man-woman relationship… sex. And if we also recognize the director's touch, the real “brush” that colors, sets and silhouettes suggest us