FROM WEST TO EAST EUROPE LAUNCHES A SCREAM OF ALARM RECOVERING FAR AND OTHER CURRENT STORIES (Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) When it seems that the games are over, a unanimous cry of alarm comes from Europe. Where has mutual assistance between human beings gone and what do we bring with us after the end of an eternal conflict on the eastern borders of old Europe, and also the hidden network of drug trafficking. Let's start with # VE76 COMPETITION
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SPECIAL # VENEZIA76 #9 – 27 August / September 7 2019: (DAY 7) The Painted Bird Vaclav Marhoul - review of Marina fearful
(Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) Not convinced a good novel brought to the screen in 35mm film B&N Presentato n concorso alla 76° Mostra d’Arte Cinematografica di Venezia, The Painted Bird - based on the novel by Jerzy Kosinski - is the latest work of director Vaclav Marhoul. What happens, therefore, If a bird wings are painted with paint? Simple: once soared, since none of his flock
SPECIAL # VENEZIA76 #8 – 27 August / September 7 2019: (DAY 5) Wasp Network Assayas - review Marina fearful
(Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) Olivier Assayas ci offre una visione distaccata dei fatti portati in scena Presentato in concorso alla 76° Mostra d’Arte Cinematografica di Venezia, Wasp Network is the latest effort by French filmmaker Olivier Assayas. Set in a Cuba of the nineties, Wasp Network (based on a story that really happened) vede protagonista René Gonzalez (played by Edgar Ramirez), esteemed Cuban airline pilot who decides to desert - abandoning his wife (Penelope
SPECIAL # VENEZIA76 #7 – 27 August / September 7 2019: (DAYS 4-7)
(Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Le foto sono pubblicate per gentile concessione della Biennale ASAC) LE SEZIONI AUTONOME REGALANO DUE FILM STREPITOSI: YOU WILL DIE AT 20 di Amjad Abu Alala e ALL THIS VICTOR di Ahmad Ghossein Già abbiamo avuto modo di segnalare per #VE76 CONCORSO, grazie a Marina Pavido, Seberg di Benedict Andrews, che è incentrato sulla figura di Jean Seberg, historical icon of the Nouvelle Vague. Il film si concentra principalmente su uno dei periodi più bui della vita dell’attrice, ossia quando la
SPECIAL # VENEZIA76 #6 – 27 August / September 7 2019: (DAY 3) SEBERG Benedict Andrews - review of Marina fearful
Again with Seberg makes us turn up our noses (Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) Benedict Andrews con Seberg, he had already presented his One at the Rome Film Festival 2016, It focuses on the figure of Jean Seberg, historical icon of the Nouvelle Vague. This paper, therefore, It focuses mainly on one of the darkest periods of the actress's life, ie, when the same, after having intertwined a sentimental relationship with
SPECIAL # VENEZIA76 #5 – 27 August / September 7 2019: (DAYS 2&3)
(Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) Nel weekend NOAH BAUMBACH presenta la sua visione di un America Coast to Coast divisa Vogliamo subito segnalare per #VE76 CONCORSO ancor prima che venga presentato l’attesissimo JOKER una visione tutta particolare dall’America del regista NOAH BAUMBACH che per il suo MARRIAGE STORY non poteva non fare scelta migliore con Scarlett Johansson e Adam Driver a interpretare un dramma dei nostri tempi. Marriage Story è il film rivelazione della
SPECIAL # VENEZIA76 #4 – 27 August / September 7 2019: (DAY 1)
(Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) La Serata di inaugurazione può definirsi distopica per i film proposti I film di apertura dele due sezioni che ospitano le opere in Concorso parlano di temi simili ma in maniera distopica. Da una parte il FILM D'APERTURA di #VE76 CONCORSO di KORE-EDA HIROKAZU al titolo LA VERITÉ - with, Juliette Binoche, Ethan Hawke, Clementine Grenier, Ludivine Sagnier / France, Japan / 106', dall’altra FILM DI APERTURA di #VENEZIA76
SPECIAL # VENEZIA76 #3 – 27 August / September 7 2019: (DAY-1)
(Venice Luigi Noera with the kind collaboration of Marina fearful and Annamaria Stramondo- Photos are published courtesy of ASAC Biennale) I numeri della 76ma edizione e la preapertura dedicata ai veneziani Domani si inaugura ufficialmente l’edizione 2019 directed by Alberto Barbera in a general climate of expectations for the films in competition. The 76. Mostra in numeri I lungometraggi della Selezione Ufficiale sono 63così suddivisi: 21 in the Venice section 76 (Competition), 17 in the Out of Competition section (of which 10 documentaries), 19 in the Horizons section,4 nella sezione Sconfini (of which
KISS ME DEADLY 2019 - V Edition - Campobasso 26 – 31 August 2019
A FAIR ON THE NEW FRONTIERS OF NOIR at Palazzo GIL, via Milano 15 Campobasso 26 - 31 August 2019 KISS ME DEADLY, The festival was born in 2015 to explore the new frontiers of noir, returns this year, from 26 al 31 August, GIL Palace on the terrace with a program of experiences and visions at heavily black hues, thriller e pulp. The event - an event conceived and produced by the Cultural Kiss Me Deadly and produced by the Molise Culture Foundation, under the patronage of Lucca Comics & Games - will open with a preview
Film Critics 2019 by SNCCI: LIFE OF INVISIBLE Eurydice GUSMÃO Karim Aïnouz
Presented at the Cannes Film Festival 2019 , from 12 September distributed by Officine UBU in the Italian film "LIFE INVISIBLE GUSMÃO Euridice" Karim Aïnouz was designated Film Critics by the National Syndicate of Italian Film Critics SNCCI with the following Motivation: Through the love story of two sisters in Rio prevented 50s, Brazilian director shoots a rare intensity and beauty melodrama, Mindful of the lessons of the great masters of the genre (Circus, Fassbinder, Wong Kar-wai, Matarazzo), tracing the cruel condition of subordination of twentieth-century woman in a patriarchal society blindly.