Directly from the Turin Film Festival 2018, here comes in our rooms Drive Me Home, latest work of director Simone Catania. Drive Me Home is the story of two childhood friends. It is the story of Antonio (Vinicio Marchioni) and Augustine (Marco D'Amore), which, in adulthood, Both have sought their fortune abroad. It's a road movie that takes off from the Netherlands, until you get deep in Sicily. A trip to the rediscovery of an old friendship and, mostly, towards a new awareness about what you most want in life. Nothing
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#VisioniCorte International Short Film Festival – 21-28 September 2019 GAETA (LT)
Scheduled 21 al 28 Gaeta September in the eighth edition of the International Short Film Festival Visions Court, the festival founded by movie lovers and addressed to all the authors and directors of independent short films, not tied to large distribution companies, which aims to raise awareness and spread the talent, while embracing different spheres, to allow freedom of interpretation and creativity. The event, directed by Gisella Calabrese, obtained for the third consecutive year, the High Patronage of the European Parliament and enjoys the support of the Directorate General
#AntonioMonda @ CentralPark: finally someone remembers the film forgot to # Venezia76
With great emotion we hear Antonio Monda, unique among film buffs remember the forgotten films from the Venice Film Festival 76th edition of Central Park. Films that at least deserved the award to Adam Driver. Unfortunately the Noah Baumbach film had original sin aka NETFLIX and then it went. We expect now we present his edition of the Rome Film Festival which already has a clue from the Manifesto where Greta Garbo stands reminding the magic of CINEMA. The Noah Baumbach hopefully it will be distributed as happened with Rome Cuaron.
#TRAILERSFILMFEST XVII edition Milan, 9/11 October 2019
AL VIA LE VOTAZIONI ONLINE PER MIGLIOR POSTER E MIGLIOR BOOKTRAILER DELL'ANNO Entra nel vivo il concorso del Trailers FilmFest, now in its seventeenth edition, to be held in Milan - with free admission until seats - from 9 October 11th 2019 at NABA - New Academy of Fine Arts in Milan and the IULM University of Milan and the New Antaeus Palazzo del Cinema, directed by Stefania Bianchi. Starts the online contest to award the Audience Award for Best Poster of the Season , that you can vote online
#SalinaDocFest XIII EDITION: THE WINNERS
He WINS THE POCKET OF GOLD FOR BEST DOCUMENTARY "THE DEATH OF MY MOTHER" OF BENJAMIN BARRESE THAT WINS EVEN THE SPECIAL MENTION WIF - WOMEN IN FILM, MENTRE IL PREMIO SIGNUM DEL PUBBLICO VA A “FREEDOM FIELDS” DI NAZIHA AREBI Annunciati i vincitori della XIII edizione del SalinaDocFest - the Narrative Documentary Festival (11-14 September) He founded and directed by Giovanna Taviani. The jury, It composed of directors Branko Schmidt and Nicolas Philibert and photographer Francesco Zizola, He awarded the Tasca D'Oro Award for best documentary in La
Selfies Lisa Azuelos Family Flashback is an ongoing and perhaps esagerato- review of Marina fearful
In Italian cinemas from 19 September, Selfies Family is the latest feature film by French director Lisa Azuelos. In Family Selfies look good in the shoes Kiberlain the energetic Heloise, a middle-aged woman, owns a restaurant, divorced and with three children who have just passed the teenage years and he has always had a great relationship. The woman, however, will go into crisis when Jade, Next to take the exam of maturity, You will receive a letter of admission from a prestigious university in Canada and, therefore, It will be forced
Of Film Critics 2019 From SNCCI: The truths of Kore-eda Hirokazu
Presented at the Venice Film Festival 2019 the film "THE TRUTH" Kore-eda Hirokazu distributed in Italy by BIM was designated Film Critics by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: A diva of French cinema at sunset, a screenwriter daughter always overshadowed egocentrism of the mother and an autobiography that, revealing secrets and lies, reopens wounds never healed. In his first work outside Japan, Kore-eda enhances the universality of its themes reflecting on the art of acting backlight capable of mixing fact and fiction to get a truth
IV edition of the Italian Film Festival of Serbia in Belgrade: 23 – 26 September 2019
Gabriella Carluccci fresh from the success of the two Mediterranean Festival in Palma de Mallorca and the island of Marettimo shifts its focus on the eastern shore of the Mediterranean to involve Serbia in its inclusion projects in the fourth edition of the Film Festival Italo Serbian. Promotion of the first and second films of Italian and Serbian film, but also to co-productions, realization of master for vertical and short films competitions, with space to lifelong learning, issue more than ever to train professionals capable of managing the technological evolution of the film world. The fourth
ROME BAR SHOW first edition Rome, 23 e 24/9/2019 Palazzo dei Congressi in EUR
We receive by the Press Office Carlo Dutto carlodutto@hotmail.it and gladly publish: It will be held in Rome,Monday 23 Its tuesday 24 September 2019, at the Palazzo dei Congressi (Piazza John Kennedy, 1) from 10:00 at 21:00, the first edition of the Rome Bar Show, the international event dedicated to the beverage industry. Masterclass, talks and conferences, side events and an outdoor show dedicated to trade and the consumer, the stands of the leading companies and the most independent of the industry, The pairing food and street food, the coffee, but above all liquor, friends,
Once upon a time in Hollywood Quentin Tarantino - the review by Francesca Salmeri
The last of Quentin Tarantino film also comes in Italian theaters with Leonardo DiCaprio, Brad Pitt, Margot Robbie. Stati Uniti d’America/Regno Unito/ 161’ Feste in ville lussuose, martial arts, i western, Tarantino himself has defined his ninth labor "a love letter to L.A. to my world "and indeed before the vision of Once Upon a Time in Hollywood you can not help but have the impression of being catapulted into a romantic fairy tale set in a Los Angeles lost. The timing, albeit in a classic Tarantino style in her continuously from