(from Berlin Luigi Noera and Marina Pavido - The photos are published courtesy of BERLINALE) Nel fine settimana tanti bei film Celine Song pone un ipoteca sui premi insieme a Lila Avilés che affronta i temi della Vita e della morte. The portrait of the works of the famous Austrian writer Ingeborg Bachmann while in the GENERATION section we applaud Antonio Bigni's imaginative Italy. After a long wait at TALENTS Ruben Ostund talks about himself. COMPETITION Disco Boy di Giacomo Abbruzzese Film su un uomo qualsiasi in una performance magnetica di Franz Rogowski. Disco Boy isn't just about Europe,
reviews
#BERLINALE73 – 16/26 February 2023 SPECIAL #7 (DAY 5): Pills from the GENERATION sections
(Berlin Luigi Noera with the kind collaboration of Marina fearful- Photos are published courtesy of the Berlinale) A doc that praises the seventh art will find its place among documentaries aimed at the new generations. And the King Said, What a Fantastic Machine di A. Danielson e M. Van Aertryck Il documentario è costruito con la tecnica del found footage ed ha una trama divisa in due parti, partially overlapping. The introduction opens in a darkroom, set up in a public place where spectators are invited to take advantage of the show by
#BERLINALE73 – 16/26 February 2023 SPECIAL #6 (DAY 4)
Ingeborg Bachmann - Journey into the Desert by Margarethe von Trotta- The review of Marina fearful (Berlin Luigi Noera with the kind collaboration of Marina fearful- Photos are published courtesy of the Berlinale) The portrait of the works of the famous Austrian writer Ingeborg Bachmann by the director Margarethe von Trotta, even if incomplete, makes her known to the general public. Fragile, sensitive, but also extremely intelligent, independent and witty, Ingeborg Bachmann (played here by the acclaimed Vicky Krieps) has had, throughout his life, a turbulent relationship with the Swiss writer Max Frisch
#BERLINALE73 – 16/26 February 2023 SPECIAL #5 (DAYS 2&3)
Dopo l’apertura una carrellata di soggetti e linguaggi diversi tra loro mettono in evidenza l’essere umano al centro della scena con il meglio dalla sezione FORUM alla lente di ingrandimento L’omaggio a Massimo Troisi di Mario Martone, while Shidniy front reminds us of the first year of war in Ukraine in the first days of the Berlinale (from Berlin Luigi Noera and Marina Pavido - The photos are published courtesy of BERLINALE) COMPETITION BLACK BERRY di Matt Johnson Matt Johnson ci consegna un viaggio attraverso l'ascesa e il fallimento dell’azienza che produsse il primo smartphone, the
#BERLINALE73 – 16/26 February 2023 SPECIAL #4 (DAY 2)
(from Berlin Luigi Noera and Marina Pavido - The photos are published courtesy of BERLINALE) Superpower doc directed by actor Sean Penn together with director Aaron Kaufman - La recensione di Marina Pavido Presentato in anteprima mondiale – all’interno della sezione Berlinale Special Gala – alla 73° edizione del Festival di Berlino, Superpower is the latest documentary directed by actor Sean Penn together with director Aaron Kaufman and focusing on the dramatic conflict between Russia and Ukraine. The genesis of Superpower, therefore, it is decidedly special, as the two directors had already started filming
#BERLINALE73 – 16/26 February 2023 SPECIAL #3 (DAY 1)
I Opening Film and I Talents (from Berlin Luigi Noera and Marina Pavido - The photos are published courtesy of BERLINALE) Un dramma ironico e intricato di Rebecca Miller apre la Berlinale insieme all’avvincente animazione di Sepideh Farsi che apre la sezione Panorama BERLINALE SPECIAL & SERIES She Came to Me di Rebecca Miller Rebecca Miller ci presenta l'incontro tra un compositore d'opera in crisi creativa e un esuberante capitano di rimorchiatore con un debole per le storie d'amore in una trama eccentrica. But it's not enough for her and here appears on the scene a
#BERLINALE73 – 16/26 February 2023 SPECIAL #2 (DAY 1)
The review of Marina fearful: Rebecca Miller's She came to me disappoints critics and audiences (Berlin Luigi Noera with the kind collaboration of Marina fearful- Photos are published courtesy of the Berlinale) She came to me by Rebecca Miller, the opening film of the 73rd Berlin Film Festival – within the Berlinale Special section – is the story of two families who take turns on the big screen. Steven (played by Peter Dinklage) he is a composer in full creative crisis, married to psychologist Patricia (Anne Hathaway) – an extremely charming woman,
In cinemas directly from #CANNE75 Decision to leave by Park Chan-wook
Murders and impossible loves - Decision to leave - Marina's review (Photos are courtesy of the Cannes Film Festival) Another great name present, in competition, at this 75th edition of the Cannes Film Festival is the famous Korean director Park Chan-wook. On this occasion, indeed, the filmmaker gave us Decision to leave, a refined yellow with a passionate love story in the background, that does not disdain even a welcome, veiled irony. The corpse of a man - probably fallen during a mountain climb - immediately catches the eye
In cinemas directly from #CANNES75: The Envol by Pietro Marcello
Family ties and a future to be discovered - L'Envol - Marina's review (Photos are courtesy of the Cannes Film Festival) The Italian filmmaker Pietro Marcello is a real source of pride as regards contemporary Italian cinema. After the successes of Lost and Beautiful (2015) and Martin Eden (2019) here he arrives at the Croisette with his latest effort: Flight, opening film of the Directors’ Fortnight of the 75° Festival di Cannes. The story staged, therefore, is that of the young Juliette (personified by Juliette Jouan),
In theaters directly from #CANNES75 EO by Jerzy Skolimowski
The exploitation of animals is a tribute to the great Robert Bresson - EO - Marina's review (Photos are courtesy of the Cannes Film Festival) Random balthazar, direct in 1966 from the great Robert Bresson is one of the undisputed masterpieces of the history of cinema, without fear of any exaggeration. Several expectations, therefore, aroused the presence in competition at the 75th edition of the Cannes Film Festival of EO, latest effort by filmmaker Jerzy Skolimowski, that - always a great admirer of Bresson's film - wanted, just, realize