LIKE A CAT IN RING ROAD directed by Riccardo Milani from 28 December in cinemas

The watchword is contamination and suburbs, but when it comes to you everything becomes more complicated. Paola and Antonio Albanian Cortellesi find themselves together again on the set with an extraordinary Sonia Bergamasco in the guise of ex-wife radical chic of it. The script has a few drawbacks, but the sociological order to show the barriers between classes deeply distant performs Riccardo Milani who heads his wife Paola in Cortellesi also screenwriter garments. The story is in some ways autobiographical, as he explained by the director, and shows us

COCO, The new animated film from Disney • Pixar directed by Lee Unkrich 28 December in cinemas.

Disney never fails to impress young viewers, but also older ones. This new Disney fairy tale takes place in Mexico and speaks to us of the roots of each of us. But it also reminds us that Halloween is the modern version, alas, faded to what for us the last century was the anniversary of the dead during which we remember our roots precisely not to forget the lessons impartitici grandparents. That is it was a big party with sacred and profane gathered to remember the souls

EXTRA CINEMA: CINECITTA’ WORLD presenta GANGS of MUSICAL

The Castel Romano Cinecittà World Park opens its doors for the holiday season by offering a strong point of Musical Gangs. Ecco un estratto dello spettacolo offerto dagli artisti del cast https://youtu.be/l5Vvzw_PRlY https://youtu.be/6Fh7Geu6lTI https://youtu.be/vNJyyFf2Dbs https://youtu.be/xMIQWmoCDks https://youtu.be/sIvr9RJlzQE https://youtu.be/eQxa4s-3MYU

Special 35th #TFF Turin Film Festival - The Marina reviews #10 Firstborn (After Hours) - Latvia a disappointing horror

Premiered at the 35th Torino Film Festival, within the After Hours section, Firstborn is the latest feature film by Latvian film director Aik Karapetian, who as early as 2014 he had presented, again in Turin, il suo The Man with the Orange Jacket. The development history of the scene is that of Francis and Katrina, young married couple expecting their firstborn. The drama, just, It begins when the woman is snatched under the eyes of her husband helpless, who, unable to forgive himself and accept his weaknesses, will end up chasing the

Special 35th #TFF Turin Film Festival - The Marina reviews #9 THE LODGERS (After Hours) - Irish-style horror and success is assured

First presented at the 35th Torino Film Festival in After Hours section, The Lodgers is an interesting horror directed by Ireland's Brian O'Malley. The story of Rachel and Edward, twins just come of age, that, orphaned several years before, They are living alone in the big house that belongs to their family for decades. Their parents, as well as their grandparents, their great-grandparents and so on,They were also twins and, through incestuous relationships, They gave birth in turn to new generations, only to die suicide, drowning in the pond in the garden of the house.

Special 35th #TFF Turin Film Festival - The Marina reviews #8 THE SCOPE OF SEPARATION (Competition) - the young Chinese cieneasta Yue Chen disappoint for as little courage to find his own style

Presented in competition at the 35th edition of the Turin Film Festival, The scope of separation is the latest film directed by the young Chinese director Chen Yue. We are located in Taipei. He is a young orphan who Shidong, thanks to the money inherited from parents, It can afford a comfortable life. The boy used to spend his evenings in a pub playing cards or billiards. After a series of reports no later, however, the young man begins to question what his role in the world and, slowly, also undertake its own growth path. We agree,

Special 35th #TFF Turin Film Festival - The Marina reviews #7 WAITING FOR THE BARBARIANS (At where) - an intense theatrical piece

Presented within the section Waves at 35 ° Torino Film Festival, En attendant les Barbares is the latest feature film by French director Eugène Green, the result of a workshop that took place in Toulouse in spring 2017. It's night. On the street it's cold. It exudes a strange tension in the air, the point of not even allow people to sleep. At the gates of a castle knocking six quirky characters, each of different origin and social class: the bourgeois couple, the homeless, l'artista, the anarchist and the young student. Terrified by the imminent invasion of the barbarians, the six men ask

Special 35th #TFF Turin Film Festival - The Marina reviews #6 KISS AND CRY (Competition) - a doc focuses not just on sport but also on the human being

Presented in competition at the 35th edition of the Turin Film Festival, Kiss and cry is the last feature film directed by young French directors Chloé Mahieu and Lila Pinell, set in the world of skating on the ice and from a previous medium-length documentary directed by the same authors. In front of a camera that, while telling fictional stories, It does not deviate too much from reality and documentary form, take off, therefore, Sarah's stories, Carla, Amanda and many other teenagers who every day are divided between the school, hard workouts, friendships

Special 35th #TFF Turin Film Festival - The Marina reviews #5 The disaster artist (After Hours) - apt tribute to James Franco to Tommy Wiseau

Premiered at the 35th edition of the Turin Film Festival, The disaster is the latest artist feature actor and director James Franco, centered on the figure of Tommy Wiseau, author of the feature film and trash, in his own way, cult The Room. The biopic follows step by step the adventures of our Wiseau, the birth of the artistic partnership with Greg Sestero, until the evening of the first of The Room. Given the scope of the topic, of course one wonders if an author as prolific James Franco - commendable as an interpreter, but that, despite being a undoubtedly valid filmmaker, not always

Special 35th #TFF Turin Film Festival - The Marina reviews #4 Faithfull (FC) - the intrusiveness of the star burns on her doc

Premiered at the 35th edition of the Turin Film Festival, within the Festa Mobile section, Faithfull is her latest documentary by French director Sandrine Bonnaire. A no longer young - but always fascinating - Marianne Faithfull is addressed directly to the director, expressing his concerns regarding the making of a film about his life. The famous singer and actress, about that, recommends to his interlocutor of using mainly archive footage. And so does Sandrine Bonnaire, fully drawing on the abundant archival material which tells us about the character of the Faithfull

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