(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Roberto Minervini and Luca Guadagnini on the red carpet and receive critical acclaim, a noi è piaciuto il western francese THE SISTERS BROTHERS di JACQUES AUDIARD Nel Concorso VENEZIA 75 He has charmed the French JACQUES AUDIARD us presenting a Western on THE SISTERS BROTHERS. Sure interpreters are valuable, and dutifully we cite Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal e Riz Ahmed. But what makes the difference,
Venezia
SPECIAL # VENEZIA75 #7 – 29 August / September 8 2018 (DAY 5): Suspiria by Luca Guadagnino – review of Marina fearful
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Presented in competition at the 75th Venice Film Festival in Venice, Suspiria is the latest work by Luca Guadagnino, anticipated remake of Dario Argento's 1977. Also here, as in the films of Argento, We witness the disturbing story of the young Susi, come to Germany, in order to train as a classical dancer. Here we see the mysterious disappearance before and then the brutal death of some of the academy students. the above visual differences
SPECIAL # VENEZIA75 #6 – 29 August / September 8 2018 (DAY 3): The Ballad of Buster Scruggs dei fratelli Joel e Ethan Coen – review of Marina fearful
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Presented in competition at the 75th Venice Film Festival in Venice, The Ballad of Buster Scruggs is the latest effort of the brothers Joel and Ethan Coen, soon be available on Netflix. The Ballad of Buster Scruggs is a unique anthology series divided into six parts, the Western setting, that gives a nod also to the same western sixties and, in particular, our spaghetti western. And so, immediately after the opening credits, see the pages of a
SPECIAL # VENEZIA75 #5 – 29 August / September 8 2018 (DAYS 2&3): directors Awards Oscar Alfonso Cuarón, Ethan Coen and Joel Coen contend for the podium
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) After the inauguration on the red carpet at the Oscars directors Alfonso Cuarón, Ethan Coen and Joel Coen tackle universal themes but DOUBLES VIES Olivier Assayas' There seems to be more relevant because it reflects on society of the new media that shook up the balance of the last century. After the test is not entirely convincing of Damien Chazelle films in Competition VENICE 75, waiting for the weekend Italian, It has the sodisfatto
SPECIAL # VENEZIA75 #4 – 29 August / September 8 2018 (DAY 2): reviews Marina fearful – La Favorita di Yorgos Lanthimos
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) A timeless story about the power, sul denaro e sul sesso chiude la seconda giornata tra l’entusiasmo del pubblico La storia qui messa in scena è quella di due cugine: Sarah Churchill - for years trusted the queen chaperone Anne - and Abigail Masham, fall into poverty because of the dissolute life of his father, but determined to undertake a rapid social climbing and
SPECIAL # VENEZIA75 #3 – 29 August / September 8 2018 (DAY 2): reviews Marina fearful – First Man di Damien Chazelle
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Damien Chazelle e Ryan Gosling inaugurano la Mostra con un film ordinario La storia qui messa in scena è quella dell'astronauta Neil Armstrong, man marked by a serious family bereavement (The daughter died prematurely), but that, despite everything, He was able to realize a dream and be the first man to land on the Moon. interesting concept, therefore, this chosen by Chazelle, who, fresh from the worldwide success of his The
SPECIAL # VENEZIA75 #2 – 29 August / September 8 2018 (DAY 1)
We try again the duo Damien Chazelle and Ryan Gosling to inaugurate the exhibition unfortunately an ordinary film (Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Inaugurazione deludente di questa edizione che però ci riserva tante sorprese Anche quest’anno non sono mancate le polemiche attorno alla Mostra di Venezia che insieme al Festival di Cannes e Berlino interpretano gli umori, the new directions of the film and why not where it directs global policy. One for all the controversy
SPECIAL # VENEZIA75 #1 – 29 August / September 8 2018 (DAY -5)
Tutti i numeri e protagonisti di una edizione della Mostra Internazionale che si presenta in gran forma dopo tre quarti di secolo (Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Iniziamo dai film selezionati, in particolare i lungometraggi della Selezione Ufficiale sono 72 divided as follows: 21 in the Venice section 75 (Competition), 22 in the Out of Competition section (of which 12 documentaries), 19 in the Horizons section, 7 nella sezione Sconfini (of which 2 documentaries) e 3 nella sezione Biennale College
Shown from 12 ottobre NICO 1988 doc all-female winner in Venice
Uno sguardo inedito della cantante dei Velvet Underground nonchè musa di Andy Warhol di nome Christa Nella rilettura di questo biopic tutto al femminile la leggendaria cantante dei Velvet Underground si rivela con la sua voce inconfondibile grazie all’intensa interpretazione della fantastica attrice cantante e cantautrice olandese Trine Dyrholm già vista alla Berlinale interpretare la protagonista di La Comune per la quale ha vinto l’Orso d’Argento Ma è la regista Susanna Nicchiarelli che conferisce il tocco finale ad una vita spesa dalla protagonista per la musica, but also the tragedy of the loss
Special 74th International Film Festival - reviews #9
In Italian cinemas from 21 September, Balance is the last feature film directed by Vincenzo Marra and premiered at the 74th Venice Film Festival in Venice, in the Giornate degli Autori section. The story begins in Rome, Don Giuseppe, in order to escape from the temptations of a woman who works with him as a volunteer, He asks to be transferred to his country of origin, in the province of Naples. Here it will take the place of Don Antonio and will inevitably collide with the harsh reality of the Camorra afflicting Campania. Between the fight against the Camorra and the problems