Maria Vittoria's pills from the WEB (MyMovies) (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Journey among the majestic peaks of the Swiss Alps, in un contesto di bellezza naturale che la regia cattura con straordinaria abilità è il film in concorso alle GdA Alpha di Jan-Willem van Ewijk Sinossi: After her mother's death, Rein moves to a small village in the Alps to immerse himself in nature,
Festival
#Venezia81 – 28.8/7.9 2024 SPECIAL #17 (DAY 8)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Orizzonti presents a DOC on the well -known band Pavement, mentre in Concorso la storia di Riccardo Schicchi inventore delle pornostar nostrane in una narrazione troppo leggera per l’argomento ahimè attuale Pavements di Alex Ross Perry (Horizons) "The stories they feel have never made sense": The documentary on the
#Venezia81 – 28.8/7.9.2024 SPECIAL #13 (DAYS 6&7)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) At the Giro di Boa Orizzonti in Japan he wonders about the new technologies that control us and reflects on the third age with the powerful interpretation of the actress Kathleen Chalfant, mentre delude Athena Rachel Tsangari con Harvest in Concorso Happyend di Neo Sora (Horizons) In a future not too far away, Students who prepare for
#Venezia81 – 28.8/7.9 2024 SPECIAL #14 (DAY 6)
Maria Vittoria's pills from the WEB (MyMovies) (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) La BIENNALE College chiude con un film meraviglioso Honeymoon di Zhanna Ozirna (Biennale College) Honeymoon is a work that captures the viewer with an almost brutal delicacy and a relentless suspense. Set in the heart of the war in Ukraine, The film tells with extraordinary emotional power the experience of a newly married couple who
#Venezia81 – 28.8/7.9 2024 SPECIAL #11 (DAY 5)
The FOCUS of Marina dal Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Il coraggio delle madri e mogli brasiliane nel film di denuncia di Walter Salles sulle dittature dell’America Latina vale il Leone d’Oro SINOSSSI: Brazil, 1971: a country in the ever-tightening grip of a military dictatorship. When his family's life is destroyed by an arbitrary act of violence, a mother is
#Venezia81 – 28.8/7.9 2024 SPECIAL #9 (DAYS 4&5)
Maria Vittoria's pills from the WEB (MyMovies) (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Prosegue la BIENNALE College con altri due bei film d’esordio January 2 di Zsófia Szilágyi Sinossi: January 2 It is the microrealist story of a separation from the point of view of the best friend of his wife. Klára moved away from her husband helped by her friend ági. They make a total of seven trips in
#Venezia81 – 28.8/7.9.2024 SPECIAL #8 (DAYS 4&5)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) At the weekend the exhibition offers a series with a cinematographic gaze, un potente film di Corbet e l’atteso corto di Bellocchio Familier som vores (Families like ours) - Series di Thomas Vinterberg (FC) The quality of the series presented at the Venice exhibition this year (Families like ours, and also disclaimer
#Venezia81 – 28.8/7.9.2024 SPECIAL #4 (DAYS 2&3)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) A doc on Nazi cinematography, gli esuli dissidenti russi e una storia leggera sull’Amore irrompono alla Mostra Riefenstahl di Andres Veiel (FC) Between archive images and the personal archive (and unpublished) at Leni Riefenstahl, Andres Veiel (regista di If Not Us, Who? little known in Italy) puts together a portrait of the director
#Venezia81 – 28.8/7.9 2024 SPECIAL #2 (DAY 1)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Tim Burton, the visionary director par excellence, inaugura la Mostra con il suo attesissimo Beetlejuice Beetlejuice SINOSSI: After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still obsessed with Beetlejuice, Lydia's life is turned upside down when her rebellious teenage daughter, Astrid, discovers in
#CANNES77@Roma 24 – 30 June 2024 Day 7 (AAVV)
Si conclude oggi la strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 30 June last day - in ROMA PRATI you can see reruns of : GIULIO CESARE h.16:45 THE MOST PRECIOUS OF GOODS (REVIEW ) by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) h.18:30 LEMONS (REVIEW ) di Kirill Serebrennikov / 138’ (COMPETITION) h.21:00 CAUGHT BY THE TIDES (REVIEW ) di Jia Zhang-Ke/ 111’ (COMPETITION) Cinema EDEN FILM CENTER h.16:30 VOLVERÉIS THE OTHER WAY AROUND (REVIEW ) by Jonás Trueba