Lo sguardo critico di Valentina dal Lido (da Venezia Luigi Noera e Valentina Vignoli con la gentile collaborazione di Maria Vittoria Battaglia, Vittorio De Agrò (RS) e Marina Pavido - le foto sono pubblicate per gentile concessione della Mostra di Venezia) Un doc sulla cinematografia nazista, gli esuli dissidenti russi e una storia leggera sull’Amore irrompono alla Mostra Riefenstahl di Andres Veiel (FC) Tra immagini di repertorio e l’archivio personale (e inedito) di Leni Riefenstahl, Andres Veiel (regista di If Not Us, Who? poco conosciuto in Italia) mette insieme un ritratto della regista
Festival
#CANNES77@Roma 24 – 30 June 2024 Day 7 (AAVV)
Si conclude oggi la strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 30 June last day - in ROMA PRATI you can see reruns of : GIULIO CESARE h.16:45 THE MOST PRECIOUS OF GOODS (REVIEW ) by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) h.18:30 LEMONS (REVIEW ) di Kirill Serebrennikov / 138’ (COMPETITION) h.21:00 CAUGHT BY THE TIDES (REVIEW ) di Jia Zhang-Ke/ 111’ (COMPETITION) Cinema EDEN FILM CENTER h.16:30 VOLVERÉIS THE OTHER WAY AROUND (REVIEW ) by Jonás Trueba
#CANNES77@Roma 24 – 30 June 2024 Day 6 (AAVV)
Quest’anno l’ANEC Lazio ha preparato una strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 29 June – in ROME CENTRE/PRATI you can see: Cinema 4 FONTANE h.16:30 Replica SOMETHING OLD, SOMETHING NEW, SOMETHING BORROWED by Hernán Rosselli / 100’ (FILMMAKERS' FORTNIGHT) Synopsis: between documentary and fiction we are introduced to the Felpeto family, whose clandestine gambling business is threatened when the police raid the premises and their late father's secret comes to light. h.18:30
#CANNES77@Roma 24 – 30 June 2024 Day 5 (AAVV)
Quest’anno l’ANEC Lazio ha preparato una strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 28 June – in ROMA PRATI you can see: Cinema GIULIO CESARE h.16:00 EAST 12 (REVIEW ) in Elkoussy Hall / 109’ (FILMMAKERS' FORTNIGHT) h.18:00 KINDS OF KINDNESS (REVIEW ) di Yorgos Lanthimos / 165’ (COMPETITION) h.21:00 GRAND TOUR (REVIEW ) by Miguel Gomes / 129’ (COMPETITION) Cinema EDEN FILM CENTER h.17:00 PLASTIC GUNS (REVIEW ) by Jean-Cristophe Meurisse / 95’ (FILMMAKERS' FORTNIGHT) h.19:00 GOOD ONE (REVIEW
#CANNES77@Roma 24 – 30 June 2024 Day 4 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today the fourth day 27 June - ROMA CENTRO Cinema 4 FONTANE h.19:00 THE MOST PRECIOUS OF GOODS by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) Luigi Noera saw it for us and we report his impressions: “Who would have thought that from the inspiration of the director of The Artist and the most recent Cannes opening zombie remake of 2022, Final Cut
#CANNES77@Roma 24 – 30 June 2024 Day 3 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today third day 26 June - ROMA PRATI Cinema GIULIO CESARE h.16:45 BAKENEKU ANZU-CHAN di Nobuhiro Yamashita e Yōko Kuno / 97’ (FILMMAKERS' FORTNIGHT) Luigi Noera saw it for us and we report his impressions: “It is the story of an eleven-year-old girl Karin entrusted by her inept widowed father Tetsuya to her monk grandfather who lives in the temple with the cat
#MONGREL di Chiang Wei Liang and You Qiao Yin – direttamente da #Cannes77
Previewed at the Directors' Fortnight of #Cannes77, the film tells the story of an illegal migrant who becomes a carer for the elderly and disabled in the mountains of Taiwan, adesso inserito nella rassegna romana @Canness77@Roma Recensione: With a slow narrative, whose dialogues are reduced to the bare bones, the work denounces the conditions of exploitation of migrant workers in Taiwan, forced in turn to recruit migrants and tourists who will be condemned to the same fate as them. This first work looks you straight in the eye and throws you into the center of the dark setting, also thanks to the photography choices
#LuccaFilmFestival promotes two calls with deadline. 15/8/24
There are two calls that #LuccaFilmFestival in collaboration with SIAE is launching: “The first one was good!”, per opere prime di cortometraggio “Scrivere Cinema”, screenwriting course for students from 16 to 25 anni Entrambi fanno parte della ventesima edizione del Lucca Film Festival si tiene dal 21 al 29 September 2024 and the deadline set at 15 August - tutte le info su www.luccafilmfestival.it Scadono entrambi il 15 August 2024 the two new free registration calls launched in collaboration with SIAE – Italian Society of Authors and Publishers, starting from the next one 20 June from
#CANNES77@Roma 24 – 30 June 2024 Day 2 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana nelle sale romane la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 25 June - ROME CENTER you can see: Cinema 4 FOUNTAINS is replicated with: h.19:00 ALL WE IMAGINE AS LIGHT (REVIEW) di Payal Kapadiya / 115’ (COMPETITION) PREMIO SPECIALE DELLA GIURIA h.21:15 THE STORY OF SOULEYMANE (REVIEW) di Boris Lojkine / 93’ (IN SOME PERSPECTIVE) BEST MALE ACTING AWARD JURY AWARD / PREMIO FIPRESCI Invece alla MULTISALA BARBERINI h.19:00 SIMON OF THE MOUNTAIN Federico Luis
#CANNES77@Roma 24 – 30 June 2024 Day 1 (AAVV)
This year ANEC Lazio has prepared an amazing roundup directly from the last Cannes Film Festival. We were there for you and we offer you our comments on the films, especially today 24 June – in ROMA PRATI you can see: Cinema GIULIO CESARE h.19:00 THE STORY OF SOULEYMANE by Boris Lojkine / 93’ (IN SOME PERSPECTIVE) PREMIO MIGLIOR INTERPRETAZIONE MASCHILE PREMIO DELLA GIURIA PREMIO FIPRESCI Ma ecco cosa ha scritto Maria Vittoria Battaglia: “The story of Souleymane is a touching and deeply human film that tells the story of an illegal immigrant in France. Souleymane, interpreted with intensity and authenticity, work as