I Opening Film and I Talents (from Berlin Luigi Noera and Marina Pavido - The photos are published courtesy of BERLINALE) Un dramma ironico e intricato di Rebecca Miller apre la Berlinale insieme all’avvincente animazione di Sepideh Farsi che apre la sezione Panorama BERLINALE SPECIAL & SERIES She Came to Me di Rebecca Miller Rebecca Miller ci presenta l'incontro tra un compositore d'opera in crisi creativa e un esuberante capitano di rimorchiatore con un debole per le storie d'amore in una trama eccentrica. But it's not enough for her and here appears on the scene a
Festival
#BERLINALE73 – 16/26 February 2023 SPECIAL #2 (DAY 1)
The review of Marina fearful: Rebecca Miller's She came to me disappoints critics and audiences (Berlin Luigi Noera with the kind collaboration of Marina fearful- Photos are published courtesy of the Berlinale) She came to me by Rebecca Miller, the opening film of the 73rd Berlin Film Festival – within the Berlinale Special section – is the story of two families who take turns on the big screen. Steven (played by Peter Dinklage) he is a composer in full creative crisis, married to psychologist Patricia (Anne Hathaway) – an extremely charming woman,
#BERLINALE73 – 16/26 February 2023 SPECIAL #1 (DAY -1)
Le Novità dopo la pandemia e le nostre scelte Oltre trecento pellicole selezionate dalla Berlinale in questa 73ma edizione per rilanciare la Settima Arte dopo la pandemia (from Berlin Luigi Noera and Marina Pavido - The photos are published courtesy of BERLINALE) Domani inizia la prima Kermesse festivaliera del 2023 nel Vecchio Continente, ecco le Novità e le nostre scelte: Wettbewerb / Competition I commenti di Carlo Chatrian, Direttore Artistico ci fanno sognare dopo la pandemia, iniziamo dal Concorso con 19 films: “Più che mai, la selezione di quest'anno attinge dall'intero spettro delle forme
In cinemas directly from #CANNE75 Decision to leave by Park Chan-wook
Murders and impossible loves - Decision to leave - Marina's review (Photos are courtesy of the Cannes Film Festival) Another great name present, in competition, at this 75th edition of the Cannes Film Festival is the famous Korean director Park Chan-wook. On this occasion, indeed, the filmmaker gave us Decision to leave, a refined yellow with a passionate love story in the background, that does not disdain even a welcome, veiled irony. The corpse of a man - probably fallen during a mountain climb - immediately catches the eye
In cinemas directly from #CANNES75: The Envol by Pietro Marcello
Family ties and a future to be discovered - L'Envol - Marina's review (Photos are courtesy of the Cannes Film Festival) The Italian filmmaker Pietro Marcello is a real source of pride as regards contemporary Italian cinema. After the successes of Lost and Beautiful (2015) and Martin Eden (2019) here he arrives at the Croisette with his latest effort: Flight, opening film of the Directors’ Fortnight of the 75° Festival di Cannes. The story staged, therefore, is that of the young Juliette (personified by Juliette Jouan),
In theaters directly from #CANNES75 EO by Jerzy Skolimowski
The exploitation of animals is a tribute to the great Robert Bresson - EO - Marina's review (Photos are courtesy of the Cannes Film Festival) Random balthazar, direct in 1966 from the great Robert Bresson is one of the undisputed masterpieces of the history of cinema, without fear of any exaggeration. Several expectations, therefore, aroused the presence in competition at the 75th edition of the Cannes Film Festival of EO, latest effort by filmmaker Jerzy Skolimowski, that - always a great admirer of Bresson's film - wanted, just, realize
In theaters directly from #Cannes75 Corsage by Marie Kreutzer
An unexpected Elisabeth of Austria - Corsage - Marina's review (Photos are courtesy of the Cannes Film Festival) An unusual, controversial portrait of Empress Elisabeth of Austria (by all called affectionately Sissi) it premiered at the Cannes Film Festival 2022 - within the Un Certain Regard section. The feature film in question is Corsage, latest effort by Austrian director Marie Kreutzer, starring the famous (She 's VERY GOOD) Vicky Krieps. Elisabeth of Austria is, on this particular occasion, a fragile woman, Human, obsessed with grooming and passing
In cinemas directly from #CANNES75 Les Amamdiers by Valeria Bruni Tedeschi
Dreams and dramas of young actors in the early 1980s - Les Amandiers - Marina's review (Photos are courtesy of the Cannes Film Festival) Second feature film by actress Valeria Bruni Tedeschi as director, Les Amandiers - world premiere, in competition, at the 75th edition of the Cannes Film Festival - it turned out to be a pleasant surprise within the famous film event. Extremely intimate and personal, the film stages Stella's story (an extraordinary Nadia Tereszkiewicz), a twenty year old girl, that, in the early eighties, together
In cinemas directly from #CANNES75 : Triangle of Sadness di Ruben Östlund
Money and power in capitalist society - Triangle of Sadness - Marina's review ( Photos are courtesy of the Cannes Film Festival) If in the 2014 an enormous wave was breaking all precarious pre-established balances (in the feature film Force Majeure), here, eight years later, it is a storm in the open sea - with consequent shipwreck - to overturn roles and situations. It was written by Ruben Östlund. - formerly the Palme d'Or in Cannes in 2017 per The Square - he enjoyed dissecting every aspect and every bizarre
#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #20: (DAY 11) The Awards with the Golden Lion to Laura Forses
(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) The Exhibition assigns a questionable "political" Golden Lion to the documentary by the American Laura Poitras, giving a consolation prize to the mighty KHERS NIST (NO BEARS) in Jafar Panahi . Once again the interlocking games prevailed over the natural epilogue of the Exhibition. At the end the closing film FC by Francesco Carrozzini The Hanging Sun (REVIEW) The VENICE Jury 79, chaired by