From Marlene-Dietrich-Platz the focus of the day: Tanti titoli interessanti nel primo fine settimana, tra i quali in concorso due film imperdibili dall’Iran ed USA che meritano un premio (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio D'Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) Competition A Different Man di Aaron Schimberg L'aspirante attore Edward si sottopone a un intervento chirurgico radicale per trasformare drasticamente il suo aspetto. Ma il suo nuovo volto da sogno si trasforma rapidamente in un incubo quando perde il
Festival
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #3 (DAY 2)
The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #EveryYouEveryMe by Michael Fetter Nathansky was presented in the #Panorama section and is the story of a very unhealthy relationship, retta non già sull’amore ma sulla dipendenza Alle die Du bist (Every You Every Me) by Michael Fetter Nathansky | con Aenne Schwarz, Carlo Ljubek, Youness Aabbaz, Sara Fazilat, Naila Schuberth - Germany / Spain 2024
#BERLINALE 74th Ed. 15/25 February 2024 SPECIAL #2 (DAY 1)
From Marlene-Dietrich-Platz the focus of the day: Al via la #Berlinale in un mondo in guerra: i film di apertura delle sezioni in competizione tra passato e presente mostrano l’essenza dell’animo umano (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio D'Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) Competition Small Things Like These di Tim Mielants | WP è il film di apertura della Berlinale e ci pone davanti una immagine dell’Irlanda degli anni 80 e degli scandali nella Chiesa cattolica. Synopsis: 1985, New
Directly from #Cannes The Nature of Love by Monia Chokri
Synopsis: The Nature of Love, film directed by Monia Chokri, presented at #Cannes in the UCR section with the title Symple Comme Sylvain tells the story of Sophia (Magalie Lépine Blondeau), a philosophy professor from Montreal, coming from a wealthy family, who is in a relationship with Xavier (Francis-William Rhéaume) for ten years. The two are living in a relationship that has now come to an end, in fact they even sleep in different bedrooms. When the two decide to fix some things in the house, the woman meets Sylvain (Pierre-Yves Cardinal), his life is completely turned upside down.
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #1 (DAY -3)
Previews of the #BERLINALE74 from Marlene-Dietrich-Platz: the Italian presence and the Focus at the EFM (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio D'Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) There are just a few days left until the first festival kermesse 2024 in Europa a guida di Carlo Chatrian e ci soffermiamo sulla squadra italiana e le novità: EFM Italy “Country in Focus”. Una ben nutrita rappresentanza italiana mostra l’effervescenza della nostra industria cinematografica nel più popolare dei Festival del Vecchio Continente così distribuiti nelle
#PovereCreature (Poor Things) di Yorgos Lanthimos
Restless and entertaining, #PovereCreature, dragging the viewer into a universe (or better, many universes) where the meat, the body, it lends itself to creation, come fosse una tela bianca Lanthimos continua il suo viaggio ai confini dell’assurdo, investigating with a distorted gaze, elegantly aestheticized by the use of the fish-eye lens (already a fetish for the director in The Favourite). Poor Creatures touches on many themes - suicide, the creation, loneliness, identity, domestic violence, the man-woman relationship… sex. And if we also recognize the director's touch, the real “brush” that colors, sets and silhouettes suggest us
#Ilpuntodirugiarda by Marco Risi
“The Dew Point” is an invitation to remember your “old ones” before it is too late and spend time with them , because despite everything they are and will always be people ready to listen to us with affection. #Ilpuntodirugiarda is a film directed by Marco Risi, film script : Riccardo Torrebruna, Francesco Frangipane, Marco Risi, with : Massimo De Francovich, Eros Pagni, Luigi Diberti, Alessandro Fella, Roberto Gudese, Lucia Rossi, Gloria Coco, Marcello Arnone, Erika Blanc, Elena Cotta. Synopsis: The Dew Point, film directed by Marco Risi, tells the story of Carlo(Alessandro
Mimì – The prince of darkness at #33NOIRFF
Brando De Sica talks about "his" Naples, la sua città di “vampiri” Mimì – Il principe delle tenebre,which will be presented to 33 BLACK FF, a preview of Brando De Sica's first work transports the viewer into a magical realism that also feeds on expressionist references but where the horror impulse flows into exaggerated bloody violence. Mimì is a Neapolitan pizza chef with an angelic face and deformed feet. His physical defect makes him a constant target of the Camorra, who usually frequent the pizzeria where he works at night, after
#FdP64 04 – 12/11/2023 SPECIAL #3: (DAY 8) THE PRICES
(from Florence Luigi Noera with the kind collaboration of Valentina Vignoli - Photos are published courtesy of the Festival dei Popoli) “The Buriti Flower” by João Salaviza and Renée Nader Messora, story of the fight for freedom of the indigenous Brazilian people, is the best documentary of the 64th Festival dei Popoli #FdP64 "The Buriti Flower” by João Salaviza and Renée Nader Messora (Portugal, Brazil, 2023) was presented at the last Cannes Film Festival in the Un Certain Regard section. It is the story of the indigenous Brazilian people of the Krahô in the Amazon rainforest, continually threatened by the world
#ROMAFF18 – 18- 28/10/2023 SPECIAL #29: (DAY 11) - I PREMI
(from Rome Luigi Noera with the kind collaboration of Stefano Sica and Valentina Vignoli - Photos are published courtesy of the Fondazione Cinema per Roma) Paola Cortellesi fills up at the box office and at the Festival! Starting from the last edition, the Rome Film Festival has been officially recognized as a Competitive Festival by the FIAPF (International Federation of Film Producers Associations). Following, all awards given on Saturday 28 October, during the awards ceremony which took place at 17 at the Sala Petrassi of the Parco Auditorium