Un'interpretazione femminista e cruenta dell'horror corporeo In conferenza stampa Thierry Frémaux ci aveva avvertito che il primo film di in concorso potrebbe scuotere il Grand Théâtre Lumière. Blood and horror are the order of the day in the film The Substance. The promise of The Substance is a revolutionary product based on cell division, which creates a younger alter ego, more beautiful, more perfect. Elizabeth Sparkle (Demi Moore) discovers this new product in a movie trailer. The rest of the plot remains a mystery, but the tone has been set: hold fast! Se The Substance
Cannes
Directly from #CANNES77 #THE APPRENTICE by Ali ABBASI
A ridosso delle Elezioni USA un tuffo nel ventre molle dell'impero americano Sinossi: Iranian-Danish director Abbasi's first English-language feature film shows Donald Trump as a young real estate executive in 1970s New York in a "Faustian agreement" with lawyer and fixer Roy Cohn - from a screenplay by the author of The Loudest Voice In The Room by Gabriel Shermann. Review: You remember the Fahrenheit catchphrase 11/9 in Michael Moore del 2018 who explained Trump's rise to power in his own way. Well in “The apprentice”
Directly from the #Cannes77 Festival ALL WE IMAGINE AS LIGHT by Payal Kapadia
What it means to live in India today? What is the condition of women? Payal Kapadia answers these questions with her second feature film: All We Imagine As Light vincitore al Festival di Cannes È la storia di tre infermiere che lavorano in un piccolo ospedale nella moderna Mumbai: the brave and taciturn Prabha (Kani Kusruti), the young and dreamy Anu (Divya Prabha) and The Elderly and Never Tamed Parvaty (Chaya Kadam). The three women came to the big city from their villages, when they were younger. Let's observe the three women at work
#CANNES77@Roma 24 – 30 June 2024 Day 7 (AAVV)
Si conclude oggi la strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 30 June last day - in ROMA PRATI you can see reruns of : GIULIO CESARE h.16:45 THE MOST PRECIOUS OF GOODS (REVIEW ) by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) h.18:30 LEMONS (REVIEW ) di Kirill Serebrennikov / 138’ (COMPETITION) h.21:00 CAUGHT BY THE TIDES (REVIEW ) di Jia Zhang-Ke/ 111’ (COMPETITION) Cinema EDEN FILM CENTER h.16:30 VOLVERÉIS THE OTHER WAY AROUND (REVIEW ) by Jonás Trueba
#CANNES77@Roma 24 – 30 June 2024 Day 6 (AAVV)
Quest’anno l’ANEC Lazio ha preparato una strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 29 June – in ROME CENTRE/PRATI you can see: Cinema 4 FONTANE h.16:30 Replica SOMETHING OLD, SOMETHING NEW, SOMETHING BORROWED by Hernán Rosselli / 100’ (FILMMAKERS' FORTNIGHT) Synopsis: between documentary and fiction we are introduced to the Felpeto family, whose clandestine gambling business is threatened when the police raid the premises and their late father's secret comes to light. h.18:30
#CANNES77@Roma 24 – 30 June 2024 Day 5 (AAVV)
Quest’anno l’ANEC Lazio ha preparato una strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 28 June – in ROMA PRATI you can see: Cinema GIULIO CESARE h.16:00 EAST 12 (REVIEW ) in Elkoussy Hall / 109’ (FILMMAKERS' FORTNIGHT) h.18:00 KINDS OF KINDNESS (REVIEW ) di Yorgos Lanthimos / 165’ (COMPETITION) h.21:00 GRAND TOUR (REVIEW ) by Miguel Gomes / 129’ (COMPETITION) Cinema EDEN FILM CENTER h.17:00 PLASTIC GUNS (REVIEW ) by Jean-Cristophe Meurisse / 95’ (FILMMAKERS' FORTNIGHT) h.19:00 GOOD ONE (REVIEW
#CANNES77@Roma 24 – 30 June 2024 Day 4 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today the fourth day 27 June - ROMA CENTRO Cinema 4 FONTANE h.19:00 THE MOST PRECIOUS OF GOODS by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) Luigi Noera saw it for us and we report his impressions: “Who would have thought that from the inspiration of the director of The Artist and the most recent Cannes opening zombie remake of 2022, Final Cut
#CANNES77@Roma 24 – 30 June 2024 Day 3 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today third day 26 June - ROMA PRATI Cinema GIULIO CESARE h.16:45 BAKENEKU ANZU-CHAN di Nobuhiro Yamashita e Yōko Kuno / 97’ (FILMMAKERS' FORTNIGHT) Luigi Noera saw it for us and we report his impressions: “It is the story of an eleven-year-old girl Karin entrusted by her inept widowed father Tetsuya to her monk grandfather who lives in the temple with the cat
#MONGREL di Chiang Wei Liang and You Qiao Yin – direttamente da #Cannes77
Previewed at the Directors' Fortnight of #Cannes77, the film tells the story of an illegal migrant who becomes a carer for the elderly and disabled in the mountains of Taiwan, adesso inserito nella rassegna romana @Canness77@Roma Recensione: With a slow narrative, whose dialogues are reduced to the bare bones, the work denounces the conditions of exploitation of migrant workers in Taiwan, forced in turn to recruit migrants and tourists who will be condemned to the same fate as them. This first work looks you straight in the eye and throws you into the center of the dark setting, also thanks to the photography choices
#CANNES77@Roma 24 – 30 June 2024 Day 2 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana nelle sale romane la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 25 June - ROME CENTER you can see: Cinema 4 FOUNTAINS is replicated with: h.19:00 ALL WE IMAGINE AS LIGHT (REVIEW) di Payal Kapadiya / 115’ (COMPETITION) PREMIO SPECIALE DELLA GIURIA h.21:15 THE STORY OF SOULEYMANE (REVIEW) di Boris Lojkine / 93’ (IN SOME PERSPECTIVE) BEST MALE ACTING AWARD JURY AWARD / PREMIO FIPRESCI Invece alla MULTISALA BARBERINI h.19:00 SIMON OF THE MOUNTAIN Federico Luis