Presented to #Cannes77 AD is proposed in the presence of the thirty -fourth edition of the African Film Festival, D’Asia e dell’America Latina #FESCAAAL Sinossi: Film d'esordio di Sandhya SURI che parla di una vedova diventata agente di polizia nelle zone rurali dell'India settentrionale. Review: Santosh is a film that manages to combine a compelling plot with incisive social criticism, offrendo un'esperienza cinematografica potente e riflessiva. The story follows the life of Santosh, a young Indian woman who, as soon as he was widowed, inherits the work of the deceased husband, un poliziotto morto in servizio durante alcune
Festival
#Apnea by Stefano Poggioni, Claudia Cataldi, Elena Poggioni at #Fescaaal 34^ ed.
The desert, The brutality of Libya and the desperate crossing at sea seen by the eyes of fourteen people of different age and origin, ma accomunate da una dolorosa esperienza condivisa In occasione della trentaquattresima edizione del Festival del cinema Africano, Asia e America latina #FESCAAAL , #Mymovies provides the view of streaming movies within reach of one click! The documentary - Italy, 2023 Remember the story of Matteo Garrone presented in Venice. Danielle's stories, FUNFANA, Moustapha, Joy, Bakary, Malick, Amadou e di altri sette migranti costretti
#DIAGONAL 2025 – GRAZ 27 March/1st April
Dall’inviata speciale Marina Pavido La #DIAGONALE è lieta di annunciare le nomination per il Premio Franz Grabner 2025 The name del Franz Grabner Board! The prize will be awarded for the eighth time in the context of the '25 diagonal in the Cinematographic Documentary and Television Documentary categories and is equipped with 5.000 euro each, donated by AAFP and the ORF. The cash prize is intended for the development of the subsequent project of the winners. Are appointed in the television documentary category / TV series / Web format: Karl Kraus - The Power of the Words Di Franz Gruber e Susanne
#BERLINALE 75 13/23 February 2025 SPECIAL #19 (DAY 8)
From Marlene-Dietrich-Platz the focus of the day in competition: The images from Ukraine tell three years of war and hopes in life (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Strichka Chasu (Timestamp) di Kateryna Gornostai Competition La Trama: Despite the war, In Ukraine, school life continues, with pupils and teachers who strive to continue learning from the latter even under a constant threat. The film is a
#BERLINALE 75 13/23 February 2025 SPECIAL #18 (DAY 7)
From the Zoo Palast the focus of the day on the collateral sections Panorama and Forum in the critical gaze of Eleonora Ono on personal stories of the protagonists victims of the dictatorships (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) Panorama 1001 Frames of Mehnoush alia USA 2025 WP | Opera prima Il film è stato girato senza permesso in Iran, where the director knows that he will not enter the cinemas because they usually never receive these films
#BERLINALE 75 13/23 February 2025 SPECIAL #17 (DAY 7)
From Marlene-Dietrich-Platz the focus of the day in competition: The return of the gold bear Radu Jude with an unsettling film (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Kontinental '25 di Radu Jude Competition La Trama: Orsolya is a bailiff of Cluj, The main city of Transylvania. One day he has to evict a homeless from a cellar, an action from the tragic consequences that triggers a moral crisis that Orsolya must overcome as better
#BERLINALE 75 13/23 February 2025 SPECIAL #15 (DAY 6)
From Marlene-Dietrich-Platz the focus of the day on Perspectives and on the Generation 14Plus section in the critical gaze of Eleonora Oono in two female stories (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) Perspective Duas Vezes João Liberada (Two Times João Liberated) Di Paula Tomás Marques - Portugal 2025 WP | Opera prima La Trama: João is the protagonist of a biographical film about the non-conformity of free genre, persecuted by the Inquisition. When the director of the
#BERLINALE 75 13/23 February 2025 SPECIAL #14 (DAY 6)
From Marlene-Dietrich-Platz the focus of the day in competition (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Blue Moon di Richard Linklater Competition La Trama: The evening of 31 March 1943, The legendary lyricist Lorenz Hart confronts his self -esteem destroyed in the Sardi's bar while his former collaborator Richard Rodgers celebrates the first of his revolutionary successful musical "Oklahola!". Presented in competition at the 75th edition of the Festival
#BERLINALE 75 13/23 February 2025 SPECIAL #12 (DAY 5)
From the Zoo Palast the focus of the day on the Panorana collateral sections and forum in the critical gaze of Eleonora Ono on the tragedy of today's history and yesterday (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) Panorama Doc Bajo las banderas, The sun (Under the Flags, the Sun) in Juanjo Pereira - Paraguay / Argentina / USA / F / D 2025 | WP | Opera prima Nel 1989, The fall of the dictatorship
#BERLINALE 75 13/23 February 2025 SPECIAL #11 (DAY 5)
From Marlene-Dietrich-Platz the focus of the day in competition (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: If I Had Legs I'd Kick You di Mary Bronstein Competition La Trama: While life collapses on her, Linda tries to face the mysterious disease of the child, the absence of her husband, the disappearance of a person and an increasingly hostile relationship with his therapist. Presented in competition at the Berlinal 2025, If I