Ridley Scott with #Napoleon paints the portrait of Napoleon Bonaparte, following historical events with a temporal linearity, interrotta solamente dalle passioni dell’imperatore Per quanto la narrazione possa apparire limpida, we find different interpretations, layered and innovative. By self-citing and transforming the quote in the name of future generations, Ridley Scott compares the figure of the emperor with two little girls playing with wooden swords, while Napoleon writes love letters to his late ex-wife, Josephine. How can you not think of the director's first film, The duelists? Also set in Napoleonic France; the end of
previews
Take Flight by Benjamin Renner, educational animation aimed at parents!
Take the Flight of ILLUMINATION to the cinema from 7 December and previewed on 2 e 3 Dicembre Prendi il Volo è un film d’animazione diretto da Benjamin Renner, screenplay by Benjamin Renner and Mike White, the Italian voices are by Serena Rossi and Francesco Scianna. SYNOPSIS: The Mallard family is trapped in their rut. While dad Mack is happy to keep his family safe by endlessly sailing their New England pond, Mom Pam is intent on shaking up their lives and showing them to their children -
Mimì – The prince of darkness at #33NOIRFF
Brando De Sica talks about "his" Naples, la sua città di “vampiri” Mimì – Il principe delle tenebre,which will be presented to 33 BLACK FF, a preview of Brando De Sica's first work transports the viewer into a magical realism that also feeds on expressionist references but where the horror impulse flows into exaggerated bloody violence. Mimì is a Neapolitan pizza chef with an angelic face and deformed feet. His physical defect makes him a constant target of the Camorra, who usually frequent the pizzeria where he works at night, after
#Banksy and the girl from the #Bataclan, doc by Edoardo Anselmi on #RAI5
Ci si domanda anche oggi se #Banksy è un convinto assertore delle ingiustizie del sistema o piuttosto le cavalca sfruttando un onda emotiva Il documentario Banksy e la ragazza del Bataclan, directed by Edoardo Anselmi, initially embraces an explanatory Netflix style to illustrate the context of the street art, and then takes on thriller tones following the white van that kidnapped Banksy's "The Sad Girl".. Heist artists have always enjoyed a certain allure on screen (David Niven ne The Pink Panther, Cary Grant in To Catch a Thief, Arsenio
La trilogia #Trecolori di Krzysztof Kieślowski restaurata nei Cinema
Thirty years after its creation, Lucky Red brings Krzysztof Kieślowski's color trilogy back to theaters: Blue Movie, White Film, Red Film. #tricolor - Blue movie (Three colours : Bleu) it's a film from 1993 diretto da Krzysztof Kieślowski; the first of the trilogy that the Polish director dedicated to the three colors of the French flag and, Consequently, to the motto of the French Revolution, "Freedom, Equality, Fraternity". The Color Trilogy by Krzysztof Kieślowski, composed of films "Blu," "Bianco," e "Rosso," is a critically acclaimed film series. Each film is associated
Stranizza d'Amuri where the Sicilian spirit sees the directorial debut of Giuseppe Fiorello
Stranizza d'Amuri, un film sulla sicilianità che vede il debutto di Giuseppe Fiorello alla regia Stranizza d’amuri di GIUSEPPE FIORELLO attore, director, screenwriter, producer, it is his first feature film as a director for the cinema in which he involved many Sicilian actors. June 1982, in a warm Sicily that thrills for the Italian national team at the World Cup, two teenagers, Gianni and Nino, they collide with their respective mopeds along a country road. From the clash a deep friendship is born, but also something more, something that is frowned upon
#NOMADLAND scritto, directed and edited by CHLOÉ ZHAO Leone d’Oro at # Venezia77 on Disney +
After the economic collapse of a corporate town in rural Nevada, Fern (Frances Mc Dormand) he loads his luggage into his van and sets out on the road in search of a life outside conventional society, like a modern nomad. This third feature by director Chloé Zhao, NOMADLAND sees in the cast the presence of the real nomads Linda May, Swankie and Bob Wells as Fern's mentors and travel companions as he explores the vast landscapes of the American West. Nomadland Leone d'Oro at the Venice Film Festival also obtained
A 40 years from the cowardly murder IlDelittoMATTARELLA on #SKYCINEMADUE
IN FIRST VISION THE 6 JANUARY at 19.15 , the 10 JANUARY at 21.15 e ON DEMAND Un film di Aurelio Grimaldi con Antonio Alveario, Claudio Castrogiovanni, Nicasio Catanese, David coco, Francesco Di Leva, Donatella Finocchiaro, Lollo Franco, Sergio Friscia, Ivan Giambirtone, Leo Gullotta, guide Jelo, Francesco La Mantia, Vittorio Magazzù,Tuccio Musumeci, Tony Sperandeo e Andrea Tidona Dopo la breve apparizione nelle sale a luglio da domani, forty-one years after the murder, premiered on SKY CINEMA DUE, distributed by Cine1 Italia, “Il Delitto Mattarella” directed by Aurelio Grimaldi, co-produced by Cine 1 Italy and Orange Cinema e
RAIUNO opens on 2021 without rhetoric with a revolutionary woman: #CHIARALUBICH
Presented by the Director of RaiUno Stefano Coletta who remembers when he met the protagonist who is told without rhetoric in this film for television. Chiara had met God in action, being a very practical woman. Due dates did not forget Christmas and S. Luigi. His life dedicated to the family and therefore to the home, albeit in times of war. For her, every encounter was a gift from God, that is, the Christian reading already predicted by Liebnitz in an anticipation of an ecumenical vision. Director Giacomo Campiotti pointed out that yes
THE SECRET - The hidden truths: the review by Maria Vittoria Battaglia
When the memory fails to forget - un thriller da capogiro È arrivato nelle sale italiane dal 15 October, distributed by Vision Distribution and Cloud 9 Film, THE SECRET - The hidden truths, directed by Yuval Adler with Noomi Rapace, Joel Kinnaman, Chris Messina, Amy Seimetz. Unfortunately, the new contrasting DCPM of COVID19 has interrupted its usability in the room. A whistle. Thus begins the story that Yuval Adler wants to tell us and we immediately find ourselves in the America of the 60s, masterfully represented with pastel colors and soft and warm lights. A whistle