From Marlene-Dietrich-Platz the focus of the day in Perspectives: A work first on disability in a hallucinogenic film (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) Valentina's review: How to Be Normal and the Oddness of the Other World di Florian Pochlatko - Austria 2025 WP | Opera prima Perspective la Trama: Just left the psychiatric hospital, Pia returns to live with parents to reconstruct his life. In a world that
Author: Valentina Vignoli
#Mimì – The Prince of Darkness by Brando De Sica (2023) – Valentina's review
FROM 15 NOVEMBRE IN STREAMING SU #MYmoviesONE Presentato a Locarno e Menzione speciale per la miglior fotografia alla 56a edizione del Sitges – Festival internacional de cinema fantàstic de Catalunya Brando De Sica racconta la “sua” Napoli, la sua città di “vampiri” Mimì – Il principe delle tenebre,which will be presented to 33 BLACK FF, a preview of Brando De Sica's first work transports the viewer into a magical realism that also feeds on expressionist references but where the horror impulse flows into exaggerated bloody violence. Mimì is a Neapolitan-faced pizza chef
#Venezia81 – 28.8/7.9.2024 SPECIAL #22 (DAY 10)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Si chiude con Love (LOVE) di Dag Johan Haugerud, film che è stato quasi ignorato sicuramente sottovalutato nella selezione ufficiale negli ultimi giorni della Mostra di Venezia SINOSSI: Marianne, a pragmatic doctor, and Tor, a compassionate nurse, they are both avoiding conventional relationships. One evening, after a blind date, Marianne
#Venezia81 – 28.8/7.9.2024 SPECIAL #19 (DAY 9)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Orizzonti rivolge la sua attenzione da Nord a Sud del Continente Africano Aïcha di Mehdi Barsaoui Una giovane ragazza tunisina che lavora come cameriera in un hotel si trova costretta dalla famiglia a sposare un uomo ricco. She must therefore resort to an operation to have her hymen reconstructed. When the opportunity presents itself
#Venezia81 – 28.8/7.9 2024 SPECIAL #17 (DAY 8)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Orizzonti presents a DOC on the well -known band Pavement, mentre in Concorso la storia di Riccardo Schicchi inventore delle pornostar nostrane in una narrazione troppo leggera per l’argomento ahimè attuale Pavements di Alex Ross Perry (Horizons) "The stories they feel have never made sense": The documentary on the
#Venezia81 – 28.8/7.9.2024 SPECIAL #13 (DAYS 6&7)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) At the Giro di Boa Orizzonti in Japan he wonders about the new technologies that control us and reflects on the third age with the powerful interpretation of the actress Kathleen Chalfant, mentre delude Athena Rachel Tsangari con Harvest in Concorso Happyend di Neo Sora (Horizons) In a future not too far away, Students who prepare for
#Venezia81 – 28.8/7.9.2024 SPECIAL #8 (DAYS 4&5)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) At the weekend the exhibition offers a series with a cinematographic gaze, un potente film di Corbet e l’atteso corto di Bellocchio Familier som vores (Families like ours) - Series di Thomas Vinterberg (FC) The quality of the series presented at the Venice exhibition this year (Families like ours, and also disclaimer
#Venezia81 – 28.8/7.9.2024 SPECIAL #4 (DAYS 2&3)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) A doc on Nazi cinematography, gli esuli dissidenti russi e una storia leggera sull’Amore irrompono alla Mostra Riefenstahl di Andres Veiel (FC) Between archive images and the personal archive (and unpublished) at Leni Riefenstahl, Andres Veiel (regista di If Not Us, Who? little known in Italy) puts together a portrait of the director
#Venezia81 – 28.8/7.9 2024 SPECIAL #2 (DAY 1)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Tim Burton, the visionary director par excellence, inaugura la Mostra con il suo attesissimo Beetlejuice Beetlejuice SINOSSI: After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still obsessed with Beetlejuice, Lydia's life is turned upside down when her rebellious teenage daughter, Astrid, discovers in
#Knight of Athina Rachel Tsangari
On a ship in the middle of the sea, away from society, six men decide to play a game; the goal is to become a "knight" and the challenge is to demonstrate that you are "the best at everything". So, with pen and paper in hand, the six passengers, returning from a fishing trip, they begin to observe each other and judge each other on every aspect of their lives. The result is a comical yet devious portrait, which exposes male insecurities, as well as the contemporary welfare state. It makes you think of the mythical Druk (Another round,