Money and power in capitalist society - Triangle of Sadness - Marina's review ( Photos are courtesy of the Cannes Film Festival) If in the 2014 an enormous wave was breaking all precarious pre-established balances (in the feature film Force Majeure), here, eight years later, it is a storm in the open sea - with consequent shipwreck - to overturn roles and situations. It was written by Ruben Östlund. - formerly the Palme d'Or in Cannes in 2017 per The Square - he enjoyed dissecting every aspect and every bizarre
Author: marina fears
In theaters directly from #CANNES75 Crimes of the Future by David Cronenberg
Art, surgery and mutations - Crimes of the Future - Marina's review (Photos are courtesy of the Cannes Film Festival) Great expectations at the Cannes Film Festival 2022 per Crimes of the Future, latest effort by Canadian director David Cronenberg, here in the running for the much sought-after Palme d'Or. In this important feature film of yours, Cronenberg resumed, therefore, a discourse that began in the seventies, going through a further stage of a process that began more than fifty years ago, in which the human body evolves, undergoes important mutations and yes
SPECIAL # CANNES75 - 17-28 May 2022 #15 (DAY 8): Nostalgia by Mario Martone
Naples in all its splendor - Nostalgia - Marina's review (from Cannes Luigi Noera and Marina Pavido - The photos are courtesy of the Cannes Film Festival) Naples. A city which is strongly missed. Especially when it comes to their hometown, from which we have been away for many and many years. These strong feelings towards the Neapolitan capital were staged by Mario Martone in his feature film Nostalgia, based on the novel of the same name by Ermanno Rea and running for the
SPECIAL # CANNES75 - 17/28 May 2022 #14 (DAY 7): Marina Pavido's critical raids on the Croisette
Cronenberg and Alper compared in the two main selections leave their mark on this edition which also addresses the theme of wars of yesterday and today, for this reason we wanted to highlight a photo from Sergei Loznitsa's doc (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Art, chirurgia e mutazioni – Crimes of the Future Grande attesa al Festival di Cannes 2022 per Crimes of the Future, latest effort by Canadian director David Cronenberg, running here for so much
SPECIAL # CANNES75 - 17/28 May 2022 #12 (DAY 6):Marina Pavido's critical raids on the Croisette
(from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Very applauded Valeria Bruni Tedeschi enters the main selection talking about herself and her first steps on the set, mentre nella selezione Un Certain Regard storie intime diverse per genere e stile Sogni e drammi di giovani attori agli inizi degli anni Ottanta – Les Amandiers di Valeria Bruni Tedeschi Secondo lungometraggio da regista dell’attrice Valeria Bruni Tedeschi, Les Amandiers - world premiere, in competition, at the 75th edition of the Cannes Film Festival – yes
SPECIAL # CANNES75 - 17/28 May 2022 #10 (DAY 5): Marina Pavido's critical raids on the Croisette
The biting truth of R. M. N. e Triangle of Sadness. Cristian Mungiu is Ruben Östlund scombussolano at the Croisette (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Fear of "different" and search for one's own identity in R. M. N. A lot is expected of a director like Cristian Mungiu, whenever one of his films is about to be presented. Also on the occasion of the Cannes Film Festival 2022, therefore, his R. M. N. – in the running for the coveted Palme d'Or
SPECIAL # CANNES75 - 17/28 May 2022 #08 (DAY 4): Marina Pavido's critical raids on the Croisette
(from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Jerzy Skolimowski omaggia Robert Bresson, but also an unexpected Elisabeth of Austria in the film Corsage presented at Un Certain Regard, mentre Arnaud Desplechin delude la platea Ce ne voglia il Direttore artistico, ma iniziamo dalla selezione di Un Certain Regard Un'inaspettata Elisabetta d'Austria – Corsage Un insolito, controversial portrait of Empress Elisabeth of Austria (by all called affectionately Sissi) it premiered at the Cannes Film Festival 2022 - within the Un Certain Regard section.
SPECIAL # CANNES75 - 17/28 May 2022 #06 (DAY 3): Marina Pavido's critical raids on the Croisette
The acclaimed film in competition Armageddon Time , or America of the eighties together with Les Harkis on the dramatic Algerian war and its consequences in the autonomous section Fortnight are two unforgettable films (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Un affresco dell'America degli anni Ottanta in una delicata storia famigliare – Armageddon Time La storia di una nazione vista attraverso gli occhi di un singolo personaggio. The 1980 it is a crucial year to say the least as far as history is concerned
SPECIAL # CANNES75 - 17/28 May 2022 #04 (DAY 2): Marina Pavido's critical raids on the Croisette
After the success of the Horror film, a reflection by the Russian filmmaker Kirill Serebrennikov opens. But also Pietro Marcello at the Quinzaine is the confirmation of the power of cinema. (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Impossible loves and the role of women in 19th century Russia – Tchaikovsky's Wife – Kirill Serebrennikov is not afraid to dare, di “spiccare il volo” Il celebre compositore russo Piotr Tchaikovsky ha avuto una vita personale decisamente degna di nota, though, to date, still unknown to
SPECIAL # CANNES75 - 17/28 May 2022 #2 (DAY 1): Final Cut by Michel Hazanavicius
A fun homage to Japanese B-series horror cinema - Final Cut - Marina's review (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) Many will remember the brilliant horror comedy Zombie vs.Zombie, realized in 2017 dal giovane Shin'ichirō Ueda. What would happen, therefore, if a remake of this film was made, set, this time, in Europe? Soon said. Usually it has always paid homage to important currents of the past (impossible not to remember the homage to silent cinema The Artist) or make rereadings