#DIAGONAL 2025 – GRAZ 27 March/1st April

Dall’inviata speciale Marina Pavido La #DIAGONALE è lieta di annunciare le nomination per il Premio Franz Grabner 2025 The name del Franz Grabner Board! The prize will be awarded for the eighth time in the context of the '25 diagonal in the Cinematographic Documentary and Television Documentary categories and is equipped with 5.000 euro each, donated by AAFP and the ORF. The cash prize is intended for the development of the subsequent project of the winners. Are appointed in the television documentary category / TV series / Web format: Karl Kraus - The Power of the Words Di Franz Gruber e Susanne

#BERLINALE 75 13/23 February 2025 SPECIAL #19 (DAY 8)

From Marlene-Dietrich-Platz the focus of the day in competition: The images from Ukraine tell three years of war and hopes in life (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Strichka Chasu (Timestamp) di Kateryna Gornostai Competition La Trama: Despite the war, In Ukraine, school life continues, with pupils and teachers who strive to continue learning from the latter even under a constant threat. The film is a

#BERLINALE 75 13/23 February 2025 SPECIAL #17 (DAY 7)

From Marlene-Dietrich-Platz the focus of the day in competition: The return of the gold bear Radu Jude with an unsettling film (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Kontinental '25 di Radu Jude Competition La Trama: Orsolya is a bailiff of Cluj, The main city of Transylvania. One day he has to evict a homeless from a cellar, an action from the tragic consequences that triggers a moral crisis that Orsolya must overcome as better

#BERLINALE 75 13/23 February 2025 SPECIAL #14 (DAY 6)

From Marlene-Dietrich-Platz the focus of the day in competition (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Blue Moon di Richard Linklater Competition La Trama: The evening of 31 March 1943, The legendary lyricist Lorenz Hart confronts his self -esteem destroyed in the Sardi's bar while his former collaborator Richard Rodgers celebrates the first of his revolutionary successful musical "Oklahola!". Presented in competition at the 75th edition of the Festival

#BERLINALE 75 13/23 February 2025 SPECIAL #11 (DAY 5)

From Marlene-Dietrich-Platz the focus of the day in competition (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: If I Had Legs I'd Kick You di Mary Bronstein Competition La Trama: While life collapses on her, Linda tries to face the mysterious disease of the child, the absence of her husband, the disappearance of a person and an increasingly hostile relationship with his therapist. Presented in competition at the Berlinal 2025, If I

#BERLINALE 75 13/23 February 2025 SPECIAL #8 (DAY 4)

From Marlene-Dietrich-Platz the focus of the day in competition (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Reflection in a dead diamond (Reflection in a Dead Diamond) OF Hénene Catte, Bruno Forzani Competition La Trama: When the mysterious woman in the next room disappears, A fascinating former seventy -year -old spy who lives in a luxurious hotel on the French Riviera must compare with the demons and darlings of a turbid past in

#Berlinale75 13/23 February 2025 SPECIAL #3 (DAY 2)

From Marlene-Dietrich-Platz the focus of the day in competition (from the #berlinal Luigi Noira with the kind collaboration of Eleonora Onoo, Pavido Marina and Valentina Vignoli of the RDC editorial staff - The photos are published courtesy of the #BERLINALE) The Marina review: Shengxi zhi (Living the Land) di Huo Meng Competition La Trama: Both parents of the teenager Chuang work far away, which is therefore grown up by the extended family in his Christmas village, where thousands of years of rural tradition collide with the socio-economic changes that affected China in the early nineties. Presentato

#Venezia81 – 28.8/7.9 2024 SPECIAL #11 (DAY 5)

The FOCUS of Marina dal Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Il coraggio delle madri e mogli brasiliane nel film di denuncia di Walter Salles sulle dittature dell’America Latina vale il Leone d’Oro SINOSSSI: Brazil, 1971: a country in the ever-tightening grip of a military dictatorship. When his family's life is destroyed by an arbitrary act of violence, a mother is

#CANNES76 – 16/27 May 2023 SPECIAL #25 (DAY 11)

Ken Loach closes the Competition with a hymn to empathy (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) COMPETITION THE OLD OAK di Ken LOACH Presentato in anteprima mondiale in concorso al 76° Festival di Cannes, The Old Oak is the latest work by acclaimed British filmmaker Ken Loach, as well as, according to the same director, what could even be his last film. Anyway, This feature film contains all the themes dear to the author, for a work that is profoundly pessimistic and touching at the same time

#CANNES76 – 16/27 May 2023 SPECIAL #23 (DAY 10): Marina's critical raids on the Croisette

day-10-cannes-76

Towards the end of the festival (from Cannes Luigi Noera and Marina Pavido - Photos are courtesy of the Cannes Film Festival) More films in competition, on this tenth day of the 76th Cannes Film Festival. and yet, alongside important names such as Wim Wenders and Catherine Breillat, there were also other important authors – besides, obviously, to first-time directors – to have presented their works on the Croisette. Below, therefore, some of the main novelties of Cannes 76. COMPETITION L’ÉTÉ DERNIER di Catherine BREILLAT Un importante avvocato mette a

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