“Cinema through the Great Festivals” presents from 15 al 21 September THE FILMS OF VENICE AND LOCARNO in ROME

Photo for the kind concession of La Biennale and Festival of the Locarno film. In the context of the project "Cinema through the great festivals" the review of the Venice and Locarno films in Rome returns, Appointment always highly anticipated by all cinema fans. For the edition 2016, a careful selection of 40 Among the most appreciated films at the 73rd Venice International Film Festival and at the 69th Festival of the Locarno Film all strictly in original version, with subtitles in Italian. The review of Venice and Locarno in Rome has among his own

Special 73rd International Film Festival - Saturday 10 September (DAY 11):

Sam Mendes and the jury in balance (almost) with great films in the official selection of the Venice Lido Luigi Noera - Photo courtesy of Biennale.Si was held recently the AWARD CEREMONY which is followed by the film OUT OF COMPETITION CLOSING American Antoine Fuqua The Magnificent Seven is a remake the famous film the magnificent seven westerns for excellence 1960, directed by John Sturges and starred, among others, when Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson e James Coburn. With these premises

Special 73rd International Film Festival - Saturday 10 September

Premi collaterali agli italianidal Lido di Venezia Luigi Noera – Foto per gentile concessione della Biennale. Sono ore spasmodiche per l’attesa del Leone d’Oro, intanto sono stati già assegnati i Premi Collaterali della 73. Mostra Internazionale d’Arte Cinematografica tra i quali i seguenti.Premio Arca CinemaGiovaniMiglior film italiano: Orecchie di Alessandro AronadioMiglior film in concorso: Arrival di Denis VilleneuvePremio del Pubblico BNL a Pamilya ordinaryo di Eduardo Roy Jr.Premio del Pubblico - Circolo del Cinema di Verona – 31. Settimana internazionale della critica a Los nadie (The Nobodies) di Juan Sebastián MesaPremi

Special 73rd International Cinematographic Art Exhibition - Friday 9 September (DAY 10)

In attesa del Leone d’Oro la Mostra si conclude con la maratona di Lav Diaz ed il fantasioso Kusturica dal Lido di Venezia Luigi Noera – Foto per gentile concessione della Biennale.Le ultime due pellicole in concorso a VENEZIA 73, la prima Ang Babaeng Humayo (The Woman Who Left) di Lav Diaz “L’esistenza è fragile” dice Lav Diaz, “Alla fine di una giornata, At bottom, noi non sappiamo nulla”. A simple story, ma allo stesso tempo complessa; un’opera sull’esistenza umana, che si chiede “dov’è la logica in tutto questo?” Ci auguriamo che

Special 73rd International Film Festival - Wednesday 7 and Thursday 8 September (DAYS 8&9)

In search of the golden lion who, however, does not speak Italiandal Lido of Venice Luigi Noira - photo courtesy of the Biennale. On the seventh day the exhibition is still looking for the Ossider for the Golden Lion, But also on Wednesday a disappointment was offered by Maestro Terrence Malick, than in Venice 73 Voyage of Time presented his effort lasting many years: Life’s Journey. Unfortunately, the teacher no longer recognizes him. It must be said to the truth that the film is the good copy of the other Italian documentary Spira Mirabilis spent yesterday always

Special 73rd International Film Festival - Monday 5 September and Tuesday 6 September (DAY 6&7)

At the halfway point the second of the Italians Piuma snatches applause and Francesco Munzi out of competition tackles a difficult issue but the lion's share is played by Asian cinema from the Lido of Venice Luigi Noera - Photo courtesy of the Biennale. Monday for VENICE 73 The Mexican film La región salvaje by Amat Escalante of dubious aesthetic value was presented which tackles a thorny theme of the Mexican province with the use of phallic visions. The aim of wanting to bare a society that does not accept gays though

Special 73rd International Film Festival - Thursday 8 September (DAY9)

Two days from the term we propose the most probable ranking of the films to which we have witnessed that unfortunately it excludes the Italians from the podium . . . With Paradaise that breaks the exhibition from the Lido of Venice Luigi Noira - photo courtesy of the Biennale. VENICE 73 1.      Paradise di Andrei Konchalovsky - Russia, Germany, 130’2. The illustrious citizen di Mariano Cohn, Gastón Duprat - Argentina, Spain, 118'3. Franntz by François Ozon - France, Germany, 113’ 4. Nocturnal Animals di Tom Ford - Usa, 116’ 5. The Bad Batchdi Ana

Special 73rd International Venice Film Festival – Saturday 3 is Sunday 4 September (DAYS 4&5):

While Paolo Sorrentino and Jude Law excite the red carpet and Ozon makes us reflect on the war, the spotlight is on the new Italian documentary cinema by D'Anolfi and Parentidal Lido di Venezia Luigi Noera – Photo courtesy of the Biennale. Great expectations over the weekend for the first film by the Italians in competition, the documentary by D'Anolfi and Parenti, but also the first two episodes of the new TV series signed by the Oscar Sorrentino. But first things first, Saturday was the turn of the first Frenchman François Ozon

Special 73rd International Cinematographic Art Exhibition - Friday 2 September (DAY 3)

Thriller from Spain and Tom Ford's America, dall’ America Latina invece una storia di fededal Lido di Venezia Luigi Noera – Foto per gentile concessione della Biennale.Al secondo giorno di proiezioni ecco ancora l’America che fa la parte della protagonista e nella selezione VENEZIA 73 presenta Nocturnal Animals di Tom Ford con un thriller che si svolge su vari piani, tanti quanti i protagonisti. The language is powerful from abdominal pain and vision is not recommended for the faint hearted. Che ci sia già una ipoteca sul Leone

Special 73rd International Cinematographic Art Exhibition on Thursday 1 September (DAY 2)

Wim Wenders and a melodrama land on the Lido from the Lido of Venice Luigi Noera – Photo courtesy of the Biennale.After the triumph of Stone which catalyzed the festival public, today is the turn of Les beaux jours d'Aranjuez (3D) Wim Wenders . We know that the director is not his first experience with the 3D language that many authors disdain, although for some it is already outdated. In fact, in Venice we talk about nothing other than the innovative VR which immerses the spectator into the scene with the shocking experience of Jesus. Vi

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