Presented in the section Un Certain Regard at the Cannes Film Festival 2018 and in Italian cinemas from 27 September Model of the young Belgian director Lukas Dhont distributed by TEODORA FILM Film Critics was nominated by the National Syndicate of Italian Film Critics - SNCCI with the following Motivation: "Surprising debut work of Lukas Dhont Belgian director recounts with painful authenticity of the ordeal of a boy / girl suspended in dramatic inability to accept their bodies. Off-hook from any pathos, located in the exploration of dance further emotional tension in a constantly evolving.
Author: luigi Noera
FROM VENICE TO ROME - XXIV edition 13 – 19 September 2018
Within the project across the Great Cinema Festival returns the exhibition FROM VENICE TO ROME, final round and the most anticipated among those organized by ANEC Lazio, began in June with "The ways of Cinema - From Cannes to Rome and the Region" and continued in September with "The great Festival - Locarno in Rome". The event is eagerly awaited by film lovers, the initiative is part of the Roman summer program, It is promoted by Roma Capitale, Department of Cultural Growth and realized in collaboration with SIAE, with the contribution of the Lazio Region for the promotion of European Funds. Organized by ANEC Lazio in collaboration with Foundation
SPECIAL # VENEZIA75 #16 – 29 August / September 8 2018 (DAY 6): reviews – THE MAN WHO SURPRISED EVERYONE di NATASHA MERKULOVA e ALEKSEY CHUPOV
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Un Tema sempre attuale sulla Morte alla quale l’Uomo inutilmente rifugge nel film THE MAN WHO SURPRISED EVERYONE di NATASHA MERKULOVA e ALEKSEY CHUPOV vince ad ORIZZONTI il Premio Miglior attrice assegnato alla protagonista Natalya Kudryashowa NATASHA MERKULOVA è una giovane regista russa, born in a village in Siberia, known, as well as several short films produced in the last decade, for his first feature film, made with her husband
SPECIAL # VENEZIA75 #15 – 29 August / September 8 2018 (DAY 11): Wins LION GOLD Alfonso Cuaron and gets up a fuss about NETFLIX
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) The Jury's fair decisions confirmed the predictions, and raised a controversy by distribution and operators of salt does not find the crux of the matter which is to be found in the few resources allocated by the various executive culture. However, the jury awarded the following prizes: Leone d'Oro per il miglior film ROMA di ALFONSO CUARÓN Leone d’Argento - Grand Jury Prize
SPECIAL # VENEZIA75 #14 – 29 August / September 8 2018 (DAY 10)
Shinya Tsukamoto with a minimalist text closes the Competition VENICE 75 (Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Dispiace che Roberto Andò sia stato relegato tra i Fuori Concorso insieme a SERGEI LOZNITSA Il Concorso VENEZIA 75 closes with ZAN (KILLING) Shinya Tsukamoto of a film from Japan in just under an hour and a half tells us about the Samurai. Film minimalist but with so much empathy to share. Purtroppo FUORI CONCORSO il film UNA STORIA SENZA NOME
SPECIAL # VENEZIA75 #13 – 29 August / September 8 2018 (DAY 10): The Prizes of the autonomous Sections anticipate the grand finale tomorrow 8 September
Prizes and Awards side of the SIC and the Venice Days (Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) On Friday is the projections of the side chambers and the assignment of related premiums ended. But he also was awarded the prize LEONCINO D'ORO 2018 al film tedesco ‘Werk ohne Autor’ di Florian Henckel von Donnersmarck e la Segnalazione Cinema For Unicef a “What You Gonna Do When The World’s On Fire?Roberto Minervini "
SPECIAL # VENEZIA75 #12 – 29 August / September 8 2018 (DAYS 8&9)
Mario Martone the fourth Italian in competition presents Capri Revolution, a film that divides (Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) In Competition VENICE 75 MARIO MARTONE presents CAPRI-REVOLUTION with a cast of actors mostly theater and in the splendid setting of the island that envy us abroad takes up the theme that still divides pacifists and interventionists. We are at the beginning of the last century, theme already addressed by the Hungarian director LAZSLO a few days ago with SUNSET. The story
SPECIAL # VENEZIA75 #11 – 29 August / September 8 2018 (DAY 6): At Eternity's Gate biopic Julian Schnabel.- review of Marina fearful
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) First presented - and in the running for the Golden Lion - at the 75th Venice Film Festival in Venice, At Eternity's Gate is the latest in a long series of biopic on the life of the famous Dutch painter Vincent Van Gogh, signed Julian Schnabel. Starting from the moment in which the artist has forged his strong friendship with colleague Paul Gauguin, At Eternity's Gate shows us a Van Gogh suffering, misunderstood, that
SPECIAL # VENEZIA75 #10 – 29 August / September 8 2018 (DAYS 6&7): At the halfway point AMOS GITAI and LÁSZLÓ NEMES
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) After fierce criticism Guadagnino Minervini and the people of the Lido at the turning point has tasted the stars Natalie Portman, Jude Law, Willem Dafoe i registed affermati NEMES LASZLO, Amos Gitai, EMIR KUSTURICA e FREDERICK WISEMAN che incendiano il Lido Partiamo dalla selezione in Concorso VENEZIA 75 Laszlo Nemes dove con eventide (SUNSET) He remains a director outside the rules. Certainly we are not at the level of the previous film
SPECIAL # VENEZIA75 #9 – 29 August / September 8 2018 (DAY 6): Monrovia, Indiana Frederick Wiseman - review of Marina fearful
(Venice Luigi Noera with the kind collaboration of Marino fearful- Photos are published courtesy of the Venice Biennale) Presented out of competition at the 75th Venice Film Festival in Venice, Monrovia, Indiana is the latest work of the famous American documentary filmmaker Frederick Wiseman. If in the past the teacher had showed us aspects of life related to universities, libraries, unique neighborhoods and, more generally, large hubs, here he choose, on this occasion, a small rural town in the Midwest (Monrovia, just, in Indiana), they inhabit only 1400 citizens and in which time, in many